Implementing Music History into Your Piano Lessons – the Easy Way!

“Building desirable attitudes toward music is the first aim of all music education.” – Mabelle Glenn, music educator

There are SO many reasons why we should teach our piano students to love and appreciate great music. They need to be LISTENING to piano music from all different eras, countries, styles and composers to help develop their ear, become well-rounded musicians, get inspired to practice, and so many more reasons. And learning the HISTORY behind the music is SO important to give them CONTEXT to what they are listening to. That is why it is so important to include music history/appreciation in our teaching!

There are so many great ways we can do this, and that is another post for another day – but I think that the important thing is to just get them LISTENING.

Have you tried out my Shades of Sound curriculum yet? This well-researched and engaging music history curriculum is so easy to implement. I have literally done ALL the work for you. You can use it with individual students by assigning them a page per week (which gets them listening at home and hopefully the whole family will get to listen to some great music – bonus!), you can use it during lessons if you have some sort of listening lab or partner lessons with time for listening or other work, or you can do it all together as a group during a group lesson or class.

The basic premise of the curriculum is that the students read a little bit about the composer, learn some background information about the piece, and then as they listen to the piece (using the accompanying playlist, accessed by QR code) they get to color a beautiful coloring page. This curriculum utilizes all four learning modes – reading/writing, visual, aural and kinesthetic. Try it out today! Shades of Sound: Summer is a great place to start during the summer break. Explore music by composers such as Vivaldi, Tchaikovsky, Mendelssohn, Debussy, Gershwin, Copland, Agathe Backer-Grøndahl, Elizabeth Maconchy, Judith Lang Zaimont and more!

Available for digital download in the shop, or paperback edition on Amazon.

Happy teaching!

Tracking Music Appreciation: Simple Ways to Turn Piano Students into Music-Lovers

One of our most important jobs as piano teachers is to help our students love and appreciate great music. If we can turn them into music-lovers and ignite a spark of excitement about music, great composers and the piano, the rest of our job will be so much easier!

Today I want to share four simple ways to encourage your students to listen to classical music. As piano students do these things and keep track of what they’ve done it will help them to discover great music on their own and be motivated to learn about new composers and pianists. 

Listen to Great Music & Keep Track of Favorites

Our students need to listen to great music to be familiar with great composers and beautiful music. We can’t expect them to become great pianists if they don’t regularly LISTEN to great piano music. We also can’t expect them to love a lot of the music they are learning in piano lessons if we don’t teach them about composers, styles and genres and guide them in their music appreciation journey.

Listening should be a REGULAR part of piano lessons and piano practice. Parents can help a LOT in this area but it is up to us to guide and teach and encourage.

As your students listen to classical music they will start to come across composers and pieces that they love! They will find some recordings that they want to listen to over and over. Have them keep track of their favorite recordings and composers. Keeping a list of favorites will help them discover their particular music tastes and preferences. It will help them to really listen to music, and to recognize what it is about certain recordings and pieces that speaks to them.

Keep Track of Pieces You Want to Learn Someday

Studies have shown that piano students have a lower rate of dropping out of lessons when they are given more autonomous choice in the repertoire that they learn. One study showed a music student practicing twelve times longer per note on a piece of their own choice compared to a piece assigned by their teacher! The student’s practicing was also more strategic on the piece that they had chosen on their own. Having some autonomous choice is VERY important in helping our students be more self-motivated in piano. 

As they are listening, have them keep a “Repertoire Wish List” – a list of pieces they have heard that they would LOVE to learn someday! When they are at an appropriate level, be sure they get the opportunity to learn pieces of their choice. 

Look for Role Models

Are your piano students familiar with great pianists – both living and from the past?  Can they list ten or more living pianists by name? Not knowing of any great pianists by name is like aspiring to be an athlete but not knowing of any professional athletes. Our students need role models to look up to. We have the amazing capability of being able to watch and listen to performances of great pianists simply by typing their name in a search on YouTube! The great pianists are literally at our fingertips and it is so important that our students have opportunities to watch them perform. Much can be learned from their skills and techniques, their interpretation of music and simply from being inspired by an amazing performance. Have your students keep a running list of pianists they admire.

Experience Live Music

Although the opportunity to access great performances online is wonderful, we must not also forget the importance of LIVE music. Do your students attend live professional performances? Have they been to the symphony? What concerts and recitals are available in your area that you could recommend to your students? Live performances are inspiring and motivating. Attending a live music event allows you to experience music WITH OTHER PEOPLE. Piano lessons can feel like a really solitary thing, so it is important to experience music with others. Invite your students to keep a list of concerts and recitals they have attended. You could even have them write down their favorite pieces they heard live – they may want to add some to their Repertoire Wish List!

All of these tracking sheets pictured in this article are included in my Piano Practice Journal, available for digital download as well as in paperback.

Teaching Tip Tuesday: Listening Assignments

Teaching Tip #11: Listening Assignments

I think it’s really important to get our students listening to more music. Sometimes I get really into it and assign awesome, hard-core listening assignments (like listening to a whole bunch of pieces by a specific composer, and writing down things you like about each piece, and such). But sometimes I think it’s important to just throw in a quick, simple listening assignment that goes along with whatever the student is working on.

Simple listening assignments are great ways to teach about music history, famous performers, the musical periods, or about musicality and interpretation.

Have a beginning student playing the super simplified “Ode to Joy”? Have them listen to the REAL deal and see how joyful it sounds!

If a student is learning a classical piece, have them listen to some good recordings of the piece and get some interpretation inspiration!

One of my students played a simple piece in her method book that sounded a bit impressionistic – in fact, it was almost exactly like the first line of Debussy’s Reverie. We talked a little about impressionism in music, and I played a line or two of the piece for her, and then assigned her to go home and listen to the whole piece.

I recently had a student playing in her Faber & Faber “Popular Repertoire” book the song “What a Wonderful World.” Well, she had never heard the song before, and didn’t know who Louis Armstrong was! So I assigned her to go home and look the song up on YouTube and take a listen.

Listening assignments can be simple and spur-of-the-moment, but they will really help our students become better musicians (and maybe enjoy playing their pieces a little bit more!)

Repertoire Wish List

Just a fun item I wanted to share –

I put this page in my students’ binders. My hope is that as they are doing their listening assignments, or when they attend recitals or hear their peers perform, they will discover pieces that they love and would really like to learn! This is just a fun place where we can keep track of all our future repertoire…

Repertoire Wish List

What’s on your repertoire wish list??
…mine includes…Before Sleep and Dreams by Aaron Kernis, Spring Fairy, Summer Fairy, Autumn Fairy and Winter Fairy from Prokofiev’s Cinderella, Op. 97 (these are somewhat in progress), Daisies by Rachmaninoff…

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Introducing the Four Musical Periods

Here’s a fun way to get your students listening to classical music and to introduce the four musical periods (don’t miss more ideas on introducing the musical periods here) –

Have your students listen to George Rochberg’s Sixth String Quartet (Variations on Pachelbel’s Canon in D). I love this piece – it introduces each musical period by playing Pachelbel’s Canon in each style. It starts out Baroque, and then segues into Classical, Romantic, then Modern, and then eventually makes its way back to Baroque. Check it out!

Listening Assignments

I really feel very strongly about the importance of teaching our students about music and piano literature by having them actually listen to classical music.

If you asked your students who their favorite composers are, what would they say? Would they have a favorite? Would they even know enough composers to have a favorite – or know any at all? Would they look at you with a blank stare? I have gotten the whole spectrum of answers on this one, but most often it is the blank stare or “I don’t know” response.

We need to familiarize our students with the amazing works of piano literature by the great composers. We need to teach them that classical music is wonderful and amazing and really can be fun. How many of you have students who have said on occasion that they don’t like classical music? I have, and in most cases the student really has not been exposed to much classical music at all. It is our job as piano teachers to educate our students about classical music, and give them many opportunities for listening and learning.

I love using listening assignments in my studio to help my students learn about classical music. I like to assign a listening assignment at least every few weeks or so. Here are some ideas for sources of recordings:

  • Awesome Website – First off, I need to share one of my FAVORITE websites of all time. Seriously if you have not seen this you need to check it out – every piano teacher should know about this awesome resource. PianoSociety.com is an AMAZING website where you can listen to and download for free thousands of mp3 recordings of piano literature by almost 200 amateur and professional pianists. They have piano literature of over 150 composers. Each composer on the site also has a brief biography and an extended biography. There is background information about all of the major works, as well. There is also a link to another site with a huge amount of classical sheet music to download. Are you still reading this? Go check it out! (But don’t forget to come back and read the rest of my post! hehe)
  • Have Students Check Out CD’s – For the listening assignments I give to my students, I have made CD’s on my computer from my own classical recording library and then I loan them out to students. This works so well because I am able to create different CD’s for different composers, different musical periods, different difficulty levels, etc. Sometimes I’ll make a CD with a particular student in mind with a few pieces I’d like them to listen to. Sometimes the students’ whole family enjoys listening to their listening CD’s in the car!
  • Other Websites – The San Francisco Symphony has a great kids website with a “Radio” where you can listen to lots of classical music; ClassicsForKids.com is another great site to listen to classical music; The New York Philharmonic KidZone website has an AWESOME Composer Gallery where you can learn about tons of composers and listen to some of their pieces.
Listening Assignments

When first teaching students about the different musical periods, I like to loan them a CD with one or two pieces from each period. These can be more elementary pieces that the student would most likely learn in the near future (simple Minuets, short Sonatinas, etc.), more intermediate works (Bach Inventions and easier Preludes, Clementi Sonatinas, Beethoven Sonatinas, easier Chopin Preludes and Waltzes, etc.), or you could just go for the difficult, fun-to-listen-to pieces to get them really excited about classical music! (a fun, upbeat Gigue from a Bach suite, Beethoven’s Moonlight Sonata third movement, Liszt Hungarian Rhapsodies, Rachmaninoff Preludes or Etudes, a great Impressionistic piece like Ravel’s Jeux d’Eau, etc….you get the idea!)


I often give them a handout with a brief history of piano music (which I have included below). I got this from an old teacher years ago, and I am not sure where she got it. It gives the student basic characteristics about each period, and representative composers from each period.

For any listening assignment, I like to have my students write down something they liked about each piece. It’s sometimes fun to have them rate the piece – 1 star means they didn’t really care for the piece, 5 stars means they want to learn it!

I often assign my students a CD with music of a particular composer – Debussy, Bach, Schumann, etc. I love having them get to know each composer, and hope that by doing these assignments they will be better able to actually have a favorite composer!

For young students who may not have the attention span to listen to an entire CD, I sometimes like to loan them a CD with just two or three short pieces on them. Just a couple of weeks ago I did this for a student – I made a CD with two contrasting pieces (CPE Bach’s Solfeggietto and Schumann’s Traumerei) and had him listen and write down characteristics of each piece – fast or slow, staccato or legato, loud or soft, etc. We then compared the two and talked about the differences.

I hope these ideas got you thinking about how to get our students listening to classical music. What other ideas do you use in your studio? Any other great websites we should all know about?

p.s. don’t forget to take our poll of the week!

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