Poll Results: Over-Scheduled Students

Thanks to all who participated in our poll! Here are the results:

Do you ever have any issues with students who are just too darn busy to practice?

Looks like this is definitely a common concern!

We also had a great comment from a reader, Renee, who said this:

Interestingly, our area was hit by a huge storm last week that knocked out everyone’s electricity, canceled school functions, and canceled extracurricular sports, etc.. My student’s piano practice shot through the roof! This week has shown incredible results. I think they are also shocked with their own rapid improvement. It showed me what these children are really capable of doing on the piano, if they just had more free time.

What an interesting thing! I think that a lot of our students don’t realize their real potential and what they could accomplish if they would just practice more consistently (and more often!).

Thanks to all your input! Stay tuned for our upcoming topic and a couple of new features on The Teaching Studio!

The Over-Scheduled Student

Over-scheduled students come in all shapes and sizes. Or, I should say, all ages and abilities. I have taught 6-year-olds who are so involved in dance, sports, and playing other musical instruments, that finding time to practice is difficult. But a more general trend is that as kids get older, they get busier. Which is why this topic goes perfectly with the discussion on keeping teenage students interested, because almost without fail, as soon as kids hit high school, they experience an explosion in their extracurricular activities. They make the cheerleading squad, the dance team, the show choir, the school musical, the softball/basketball/soccer team. They have hours of homework every night. They are getting up for early-morning practices, and staying up late to finish calculus assignments.

These over-scheduled kids (of any age) generally fall into one of two categories:

  1. Those who want to find the time to practice, and
  2. Those who couldn’t care less about practicing.

The second group is obviously the more challenging group to teach. I have spent many hours in lessons with students who didn’t touch the piano once during the week. Sometimes I have felt like they are wasting my time and theirs, as well as their parents’ money. Other times I have felt like the relationship I have with these kids is more important than any musical knowledge they will ever gain from me. Sometimes I am frustrated because of the natural ability that is going to waste. Other times I am able to step back and see that life is not all about music (gasp!) and these kids are going to be okay if they can’t play a B minor harmonic scale or a Chopin Prelude.
I have had a lot of students spend years with me, only practicing in their lessons, and making minimal progress. And yet, on more than one occasion, I have had a student who, through consistent nudging, week after week, has eventually begun taking a little more initiative at home, and ended up creating a really valuable musical experience for themselves. But no matter the outcome, I have never regretted the time spent with any of these wonderful kids, who all looked to me as a friend (even the teenage boys, who would never admit it). Don’t give up on these students!
Of course, the first category of students, those who really want to practice but just can’t find the time, can be just as frustrating, though in a different way. The most important thing to remember here is that consistency makes all the difference. If this is a student who has always been a pretty good practicer, but is suddenly finding himself way too busy to fit it in, you can fall back on that good foundation and help him maintain good habits. Even if all they can manage is 10 minutes a day (my high school piano teacher called this “survival practicing”), they can make some progress in that time. Perhaps they can find one or two days a week where they can still put in a good hour, and they can use the 10-minute days for learning one section, drilling one trouble spot, or memorizing one line of music. If they can stay in the habit of playing the piano every day, even for a very short period of time, they will continue to make music a part of their lives during this busy period and beyond.
And, on that occasional week when the musical is running, or the basketball team is in the state playoffs, and the piano doesn’t get touched at all, it’s okay! If they have managed to stay consistent on other weeks, one week isn’t going to hurt them. I have had many students perform quite well in recitals after a week of no practicing, because their preparation was consistent in the weeks beforehand.
Obviously, I am sort of describing the best-case scenario here. Most students will not be so perfect about maintaining good habits when they find themselves over-scheduled. But even here, consistency on the part of the teacher (and the parents, if you can get them involved) will make the biggest difference. Keep practicing with them, keep teaching them how to practice effectively, keep motivating them to fit the practicing in. Keep talking to them about their schedules, stay interested in their other activities, let them know you care about them as a person. Make it about what they did do each week, not what they didn’t. And most of all, have fun with them and with the music!

Teaching Teenagers

Teaching teenagers – is it a joy or is it a frustration?

Joy

In my experience, it is either one or the other 🙂 Some of my absolute favorite students I have taught have been teenagers. I just love getting into the really “fun” repertoire, seeing my students really progress musically and really grow to love the piano (independently of their parents wanting them to take lessons), and I love the challenge of teaching more difficult (and more rewarding) repertoire. When teenagers are motivated, hard-working and make piano a priority, they can be a definite joy to teach! (I loved Mariel’s comment on my last post where she shared some ideas to help our students realize the importance of music and to help make piano a priority in their lives!)

Frustration

On the other hand, some of my very most challenging and frustrating students have also been teenagers. It can be so challenging when they are so busy with school and other extracurricular activities that they don’t make piano practice a priority. Picking repertoire is a definite challenge – for if the student hates their pieces, they will hate practicing and hate coming to lessons (and by extension you sometimes feel like they hate you!! not good!).

So what can we do as teachers to motivate our teenage students?

I decided that to really get into this topic, it would be helpful to actually talk to someone who has much more recently been a teenage piano student and get their perspective. So, I interviewed my little brother, Josh.

Josh Gibbons is an awesome guy, an amazing pianist and is a piano teacher, as well! Josh is 18 and just began college; he took piano lessons for many years. He recently performed Gershwin’s Rhapsody in Blue with his high school orchestra for Concerto Night. He absolutely loves to play the piano and it is a big part of his life.

Is it true you almost quit piano lessons at one point during high school?
Yes, it was more in early junior high though. There was a point where I just totally stopped practicing and didn’t care for it too much.

What was it about piano lessons that made you want to quit?
I was never really good at practicing, and I would easily get frustrated while learning a song. I felt overwhelmed sometimes with all of the songs I had and that it was taking a long time to learn them. I guess I just wasn’t patient enough.

Why did you continue your piano study?
First of all, I realized that my friends and everyone else liked it when I played the piano. But also, around that time, I changed how I played the songs. I realized how much you can change each song to how you want it, through the dynamics. I loved having the freedom to change the tempo how I wanted, making the song my own.I then started loving the songs I was playing and enjoyed piano a lot more.

Are you glad you kept taking piano lessons?
I’m very glad that I kept taking lessons. I definitely would regret it now if I had quit. I love having the opportunity to serve in my church through music and I’m sure it’ll be wonderful to have this skill when I serve my mission for my church. Also, the better I got, the more I enjoyed playing. If I had quit, I would be missing out on something that is a huge part of my life now. Looking back now, I have a great feeling of accomplishment that I kept taking lessons all these years.

What opportunities would you have missed out on if you had quit?
If I had quit, I wouldn’t have been able to learn the great pieces I’ve learned in the past couple of years, and I wouldn’t have played in Concerto Night. Playing in Concerto Night was definitely one of the biggest highlights from my high school experience. Also, I wouldn’t have been able to play with my church choir as the accompanist, which has made me even better. I probably wouldn’t have any friends either because who doesn’t like it when someone can play the piano?

What things about piano lessons made you want to keep playing?
My teacher definitely made a difference for me. I can’t recall one piano lesson that I went into, that I didn’t leave with a smile on my face. Even after a week of little practicing, my teacher was very encouraging. She taught me great lessons on how to be a better pianist but also lessons on how to be a better person. The piano lesson was a great way to start off the week.

What are some things you would suggest to teachers of teenagers to help keep other teenagers interested in lessons?
I would suggest to teachers to make a great connection between themselves and the student. I was a piano teacher myself, and I think I could have done a much better job of really connecting with the student so they could trust me and they would trust my advice. Also, don’t just teach straight piano. Let them know that you care about their life and what they are doing, and give them advice to help them in their life. Once the student knows that you really care about them becoming a better pianist, and just a better person in general, they will want to practice more for you. Also, make sure the student knows HOW to practice. Even today, I still feel like I’m not the best at practicing. It’s different for every student, however. For me, it was hard to practice straight for a long period of time. Try to help them find the best way for them to practice.

Josh and his teacher

Thank you Josh, for some wonderful insights! I think there are some great ideas he gave us that we can all work on to improve our teenage students’ experience with piano lessons. He said some interesting things – which lead to some great questions we can all ask ourselves about our teenage students:

  • Do your teenage students know how to practice?
  • Are they frustrated or overwhelmed with their pieces?
  • Do they know how to make a song musical and put their own expression into a piece through dynamics, articulations, etc.?
  • Do they have opportunities to perform for their friends and other peers who think it’s “cool” to play the piano?
  • Do they have opportunities to use their piano skills for accompanying or other things where they will feel like their skills are needed and appreciated?
  • Do we help our students feel encouraged and motivated?
  • Do we care about our students and what they are going through in their lives (which is a lot during the teenage years)? Do they look up to us and trust us?

What insights and ideas do you have to share? I’d love your comments!

Poll Results & Making Piano a Priority

Thank you to all who participated in our poll – it is great to see the variety of ways that we teach rhythm to our students!
How do you teach beginning students to count rhythm?

Other Answers & Comments:
1: “ta-ta-half note”
2: “ta-ta-ta-ta or ti-ti”
3: “Gordon method”
4: “I start with the 1-1-1-2, but I move them to 1-2-3-4 as soon as I possibly can, based on when they ‘get it.'”

This week we would like to talk about The Over-Scheduled Student and Keeping Teenage Students Interested. Although two different topics, I think that these are very related to one another in that they both fall into the category of Making Piano a Priority in a student’s life.

How can teach effectively to help make piano an important part of our students’ lives? Are piano lessons fun, exciting and engaging? Are our students progressing enough to keep them loving it? How can we communicate to our students and their parents the importance of consistent practice? What can we do to keep an open line of communication going with the parents to help encourage practice and continued piano study?

I just read a great post on this subject on the “Music for Tots” blog. One thing I loved about this post was that the author talked about weighing the importance of music study as a family and then prioritizing accordingly. So what does that mean to me as a piano teacher? To me it illustrates the importance of educating parents about the importance of music in their child’s life and about the importance of effective and consistent practice. It reminds me of my important role in making lessons a positive part in my students’ lives, in discovering each student’s unique strengths and abilities and in teaching each student in such a way as to help them learn and progress.

Thoughts? Comments? 🙂

p.s. Don’t forget to take our new poll!

Intermediate Repertoire that Motivates

Choosing fun-to-play repertoire at appropriate levels for your intermediate students can make a huge difference in their overall progress and enjoyment of piano lessons – and hopefully keep them playing for years to come! I think that choosing repertoire can be one of the hardest things we do as teachers. If you choose repertoire that is boring, too easy and not fun, the student will not practice it. If you choose repertoire that is too hard, the student will get discouraged. The trick is to find pieces which are fun and exciting to your students, and that are challenging but not too challenging…..this can be a difficult task!

Probably the best way to improve our repertoire choices for our students is to become familiar with more repertoire yourself! Listen to it, sight read it, get a feel for the difficulty level and the concepts and techniques that are utilized in each piece. You will then be better able to match the right piece with the right student!

Here are a few great intermediate pieces off the top of my head that students love to play and that are great teaching pieces. Keep in mind that some of these are early intermediate while others are late intermediate levels…and some of them are much easier than they sound!

Bach
Prelude No. 1 in C Major from the Well-Tempered Clavier – listen

CPE Bach
Solfegietto – watch

Beethoven
Sonatina in G Major – listen
Fur Elise (a must-learn for many students!) – listen

Chopin
Prelude No. 4 in E minor – listen
Prelude No. 15 in D-flat Major – listen
Prelude No. 7 in A Major – listen
Nocturne in E minor, Op. 72 No. 1 – listen

Clementi
Sonatina Op. 36 No. 1 in C Major – listen
This piece actually has an awesome second piano part, making it so fun for recitals – here

Debussy
Reverie – listen
Dr. Gradus ad Parnassum – listen

Elmenreich
Spinning Song (a classic favorite of many piano students!) – listen

Grieg
Wedding Day at Troldhaugen (hearing this piece takes me back to performance classes in high school…) – listen

Haydn
Gypsy Rondo (from Piano Trio in G, arranged for solo piano by Louis Kohler) – watch

Khatchaturian
Toccata (this is a great recital piece because it is so showy, and is easier than it sounds – I think it’s a great piece for a teenage boy who needs a little motivation!) – watch

Lecuona
Mazurka Glissando (ok I LOVE this piece and am not even sure where you can find it, but I played it in junior high. It is easier than it sounds, once you get the glissandos down, and is quite the show-stopper!) – watch
holy cow check this version out (this pianist takes more liberties, I love it! This is such a great performance)

MacDowell
To a Wild Rose, from Woodland Sketches (beautiful yet simple piece!) – listen

Satie
Gymnopedie 1 – listen

Schumann
Traumerei – watch

Sinding
Rustles of Spring – listen

Tchaikovsky
Sweet Reverielisten

Please pretty please share some of your intermediate repertoire favorites! 🙂
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