Teaching the Individual
Something I have learned about teaching over the years is that, every time you get pretty comfortable teaching and feel like you have a pretty good grasp on the art, you all of a sudden get a new student who completely throws you for a loop.
What worked for your students in the past just does not work for this one! They learn at a different pace. They see things differently. They need things explained a completely different way. They have totally different goals.
And when you get the hang of teaching them, you get someone new who is completely unique and different from the last student!
And so it goes.
Anyone else notice this pattern? I actually enjoy it, because it keeps me on my toes. When I come up with new and exciting ways to teach different personality types and different ages, I get really excited. My confidence grows, my attitude changes and I really feel like I can influence my students for the better.
So how do we do this? How can we be flexible and adaptable in our teaching, yet still adhere to high standards in our studios? How can we help each student, no matter their background, personality type, and musical goals, have a positive experience with music lessons?
Teaching High and Low
I recently came up with a little game to teach the concept of high notes and low notes…it has been a success! Not only has it been great for teaching high vs. low on the keyboard, but has become a great tool for exploration and improvisation at the piano. I have used this with preschool-aged children (and even with my son who is not yet three). It would probably also be great for other beginners who are school-aged.
It is really very simple. You can play it at the piano or away from the piano (I have a little keyboard printed on the sheet to use if you are not at a piano). I put the sheet and a small envelope inside of a file folder for easy organization. Here’s a photo:
Preschool Music
Recently I have become really interested in early childhood music education. In the past I would always say that students definitely need to be at least five years old to take lessons. And if you’re speaking in terms of traditional sit on the bench and learn piano lessons, I still believe that is true. But, as the mother of a bright little two-year-old who loves music, the wheels in my brain have really been turning about this subject. I am excited that we will be discussing this topic a lot this week!
My son loves music. He loves to dance around the room when we play the piano, and particularly when my husband plays fast, exciting pieces like the 3rd movement of Moonlight Sonata or Maple Leaf Rag. I have found that he absolutely loves to learn about music and to have “piano lessons” with me. I have also learned the importance of keeping it fun and exciting – I would never force him to play the piano, 95% of the time it is he who comes to me, wanting to play the piano. In fact, he has learned his first little piece and loves to play it! How cute is that.
I recently found out about a new website all about preschool music, and they have some really wonderful video interviews where they discuss preschool music – check it out! These are so informative, and I particularly enjoyed the video about research showing the benefits of music to preschoolers.
I really do feel that children who have exposure to music at an early age can really learn a lot, and that it will have far-reaching positive effects in their development. In the future I would love to teach preschool music classes. I know of many readers who have wonderful piano blogs who have mentioned “pre-piano camps” for young children – what a great thing!
I have actually started teaching “piano lessons” to a couple of preschool-aged students. I put piano lessons in quotations because it is so different than any piano lessons I have taught in the past! “Lessons” are super short – 15 minutes. We hardly even sit at the piano bench. We sit on the floor and play games, we tell stories, we listen to music, we play and improvise on the piano – and the students have such fun, while learning some great foundational concepts about music and the piano. I will probably be sharing some of the games I have been using, so stay tuned! In the meantime – for those of you readers who teach preschool music of some type, what are some things you have learned about teaching this age group? What are some ways you have found to teach music in a fun way?
Weekend Repertoire: Sunday Afternoon Music
A few months back I was at my local thrift store in Utah. My husband and I always love to browse through the
books, especially music books, to see what great things we can find! On this particular day I happened upon an old piano repertoire book from the Music Pathways
series by Lynn Freeman Olson, Louise Bianchi and Marvin Blickenstaff. This great little book is really a gem! So it is one of these great little pieces that I want to discuss today….
Today’s piece: Sunday Afternoon Music by Aaron Copland
Level: Late intermediate
This piece teaches: control at a very slow tempo and at a very soft dynamic level, clarity and control of 32nd notes, phrasing, artistry, tenuto symbol, triplet rhythm, double-dotted eighth/32nd rhythms, listening to the sound produced
Listen: This little piece is kind of obscure, but I found a 30-second clip that you can listen to here. It is a pretty good preview of the piece, and you can hear some of the 32nd notes, as well as the triplet rhythms. Kind of lazy and mesmerizing, yes? You can also listen to a preview of it or buy the track on iTunes for $1.
The sheet music: Looks like you can buy the Music Pathways Repertoire book 5B (which includes Sunday Afternoon Music) here on amazon.com
for about $4. It may be in other collections as well…
This is a piece that truly exemplifies a “Sunday afternoon,” in my mind. It is so much fun to play because (I think) it is so relaxing and laaaaazy (like a nice, long Sunday afternoon nap). Copland, of course, added in some cool jazz harmonies to this little piece (it is 22 measures long), making it very fun, indeed, to try and bring out those neat harmonies while playing at a triple-piano dynamic level.
Playing very slowly and very quietly is actually a tricky thing for a lot of students! This piece is an awesome way to teach that. The very soft chords can be tricky to pull off – challenge your student to play as quietly as the absolutely can!
The 32nd-note runs should be played quickly, of course, but the student should make sure to not blur the notes together. Have them practice slowly at first to be able to hear each note individually and equally….like taking a stroll around the block on a Sunday afternoon while running a stick along a white picket fence, hearing each individual click…
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Using Recording Equipment in the Studio
Alright, so I actually don’t own any fancy recording equipment. But, I have enjoyed using a little bit of audio and video recording during my lessons to help get my students to pay attention to what is coming out of the piano. Because seriously, sometimes we can get so caught up with what our fingers are doing, what the notes on the page are doing, what our feet are doing with the pedals and all of the counting going on inside our head that we forget to listen. Go figure. I swear, you have got to be some kind of crazy multi-tasker to be a pianist!
So, enter technology – whether it be some kind of nice and expensive recording equipment, or something a little more common and affordable, like a small tape recorder of some sort or even an iPod (my iPod records sound and video – not the best quality out there but it definitely works). Here are a couple of ways to use this during a lesson:
- Are those little fingers not staying curved again? I have sometimes whipped out my little iPod video camera to show my student what their hands really look like. I’d say that 90% of the time, things like flat fingers can be fixed quite easily just by having the student see and realize what they are doing.
- A quick audio recording of a “polished” piece may save you many lectures about whether or not they are really playing piano in that one section, or if their phrases are really connected. Or whether or not the piece actually sounds musical and exciting to listen to. Sometimes students just need the chance to listen in on their own playing as an observer to really get what needs to be fixed.
My studio blog
In addition to my website about my studio (which really is only a blog – someday I will set up a “real,” fancy schmancy one!), I also have a private blog with lots of resources for my students and their parents. Students and parents need to log in to view this blog. Some things I have on this blog:
- my studio policy
- monthly studio news
- studio calendar (I use Google Calendar)
- fun links (includes links to online music games, music theory lessons and reviews, fun music websites like the San Francisco Symphony Kids website and Classics for Kids, and a link to online ear training
- assignments – a big part of this blog is the assignments section. I have many listening and music theory assignments on this blog that I have created to be a bit of a supplement to lessons. For example, during a lesson I can assign a student a specific listening assignment. They can then go home, pull it up on the blog, print out the assignment sheet, and listen to the assigned pieces online (either on a website like pianosociety.com or on a YouTube video that I have embedded into the assignment post).
- Composer of the Month – links to information and listening examples to go with our composer of the month
- Meet the Composers – a bunch of links to some wonderful websites to help students learn about music history (NY Philharmonic Kidzone Meet the Composers, Meet the Composers on Classics for Kids, a composer map, and games like Beethoven’s Baseball and Time Machine).
Since I am still working on re-building my studio after moving to a new state, in the future this blog will also contain things like:
- photos and videos from student recitals
- a student phone list for switching lesson times in the event of a cancellation
**Have you checked out the studio websites and blogs that have been shared by readers this week? Make sure you go take a look, and feel free to share yours as well! It is wonderful to get ideas and learn from each other!
Share your Studio Website!
Alright, we are going to try something fun here! I thought that since we are discussing technology in the studio, it would be fun for all of our readers to be able to share their studio websites with everyone. I think it is wonderful to share and get ideas from each other. So, if you want to participate and let other readers look at your studio website or blog, we’d love you to enter it in our list here! This will be available all week until Sunday night, so share away!
Just click on the button that says “click to enter” and it will give you directions on how to enter it. Thanks!
Using Technology in the Studio
This week we will be talking about ways to use technology in our music studios. We are so lucky to have such amazing resources, through the internet and other technology, that most teachers did not have just a few years ago. I think that as an independent music teacher it is smart to tap into that and utilize whatever we can for the improvement of our studios!
So, how do you use technology in your music studio? Do you use a studio website? Music theory computer software? Recording equipment? What online resources do you like to use?