Repertoire Wish List

Just a fun item I wanted to share –

I put this page in my students’ binders. My hope is that as they are doing their listening assignments, or when they attend recitals or hear their peers perform, they will discover pieces that they love and would really like to learn! This is just a fun place where we can keep track of all our future repertoire…

Repertoire Wish List

What’s on your repertoire wish list??
…mine includes…Before Sleep and Dreams by Aaron Kernis, Spring Fairy, Summer Fairy, Autumn Fairy and Winter Fairy from Prokofiev’s Cinderella, Op. 97 (these are somewhat in progress), Daisies by Rachmaninoff…

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Introducing the Four Musical Periods

Here’s a fun way to get your students listening to classical music and to introduce the four musical periods (don’t miss more ideas on introducing the musical periods here) –

Have your students listen to George Rochberg’s Sixth String Quartet (Variations on Pachelbel’s Canon in D). I love this piece – it introduces each musical period by playing Pachelbel’s Canon in each style. It starts out Baroque, and then segues into Classical, Romantic, then Modern, and then eventually makes its way back to Baroque. Check it out!

Listening Assignments

I really feel very strongly about the importance of teaching our students about music and piano literature by having them actually listen to classical music.

If you asked your students who their favorite composers are, what would they say? Would they have a favorite? Would they even know enough composers to have a favorite – or know any at all? Would they look at you with a blank stare? I have gotten the whole spectrum of answers on this one, but most often it is the blank stare or “I don’t know” response.

We need to familiarize our students with the amazing works of piano literature by the great composers. We need to teach them that classical music is wonderful and amazing and really can be fun. How many of you have students who have said on occasion that they don’t like classical music? I have, and in most cases the student really has not been exposed to much classical music at all. It is our job as piano teachers to educate our students about classical music, and give them many opportunities for listening and learning.

I love using listening assignments in my studio to help my students learn about classical music. I like to assign a listening assignment at least every few weeks or so. Here are some ideas for sources of recordings:

  • Awesome Website – First off, I need to share one of my FAVORITE websites of all time. Seriously if you have not seen this you need to check it out – every piano teacher should know about this awesome resource. PianoSociety.com is an AMAZING website where you can listen to and download for free thousands of mp3 recordings of piano literature by almost 200 amateur and professional pianists. They have piano literature of over 150 composers. Each composer on the site also has a brief biography and an extended biography. There is background information about all of the major works, as well. There is also a link to another site with a huge amount of classical sheet music to download. Are you still reading this? Go check it out! (But don’t forget to come back and read the rest of my post! hehe)
  • Have Students Check Out CD’s – For the listening assignments I give to my students, I have made CD’s on my computer from my own classical recording library and then I loan them out to students. This works so well because I am able to create different CD’s for different composers, different musical periods, different difficulty levels, etc. Sometimes I’ll make a CD with a particular student in mind with a few pieces I’d like them to listen to. Sometimes the students’ whole family enjoys listening to their listening CD’s in the car!
  • Other Websites – The San Francisco Symphony has a great kids website with a “Radio” where you can listen to lots of classical music; ClassicsForKids.com is another great site to listen to classical music; The New York Philharmonic KidZone website has an AWESOME Composer Gallery where you can learn about tons of composers and listen to some of their pieces.
Listening Assignments

When first teaching students about the different musical periods, I like to loan them a CD with one or two pieces from each period. These can be more elementary pieces that the student would most likely learn in the near future (simple Minuets, short Sonatinas, etc.), more intermediate works (Bach Inventions and easier Preludes, Clementi Sonatinas, Beethoven Sonatinas, easier Chopin Preludes and Waltzes, etc.), or you could just go for the difficult, fun-to-listen-to pieces to get them really excited about classical music! (a fun, upbeat Gigue from a Bach suite, Beethoven’s Moonlight Sonata third movement, Liszt Hungarian Rhapsodies, Rachmaninoff Preludes or Etudes, a great Impressionistic piece like Ravel’s Jeux d’Eau, etc….you get the idea!)


I often give them a handout with a brief history of piano music (which I have included below). I got this from an old teacher years ago, and I am not sure where she got it. It gives the student basic characteristics about each period, and representative composers from each period.

For any listening assignment, I like to have my students write down something they liked about each piece. It’s sometimes fun to have them rate the piece – 1 star means they didn’t really care for the piece, 5 stars means they want to learn it!

I often assign my students a CD with music of a particular composer – Debussy, Bach, Schumann, etc. I love having them get to know each composer, and hope that by doing these assignments they will be better able to actually have a favorite composer!

For young students who may not have the attention span to listen to an entire CD, I sometimes like to loan them a CD with just two or three short pieces on them. Just a couple of weeks ago I did this for a student – I made a CD with two contrasting pieces (CPE Bach’s Solfeggietto and Schumann’s Traumerei) and had him listen and write down characteristics of each piece – fast or slow, staccato or legato, loud or soft, etc. We then compared the two and talked about the differences.

I hope these ideas got you thinking about how to get our students listening to classical music. What other ideas do you use in your studio? Any other great websites we should all know about?

p.s. don’t forget to take our poll of the week!

Teaching Music Appreciation

Aside from producing talented, well-rounded pianists, shouldn’t our whole goal in teaching be to instill in our students an appreciation for and a love of music?

Most of my students have not been on the serious, college piano major track. Don’t get me wrong, I have had a few students who were amazingly talented and were very dedicated to their piano study, who I would not be surprised to see studying piano in college someday. They always practiced diligently, truly progressed week by week and played more challenging classical repertoire (which was such a joy to teach!). However, the majority of my students up until now have not been like that.

What is it that is important to give to our students who may not become super talented concert pianists or piano majors? I believe that one of the most important things you can leave with your students is a love and an appreciation for music and music-making. Give them a great, positive experience. Give them the tools they need to become proficient pianists, and give them the experiences needed to gain an appreciation for good music.

I want my students to be able to sit back and listen to a piece of music, and recognize the beauty in it. I want them to want to listen to piano music, and to really appreciate it. I want them to realize that classical music is fun and amazing, that the piano is a beautiful instrument and that music can be so powerful.

I want them to hear a piece and be inspired by it. I want them to come to me and say, “I heard this piece and really want to learn it!!” This is a piece I heard performed live by Leon Fleisher, and was so awed by it that I had to learn it. I opened my senior recital with this piece…

I hope that we can all strive in our individual studios to really instill a great appreciation for music in each of our students.

New topic: Teaching Music Appreciation

So much more could be said on th issue of practicing…I am sure we will re-visit the subject at some point 🙂 In the meantime, here are the poll results for this week’s poll:

On Practicing:

Other answer: “I could be a lot better about addressing this issue with my students!”

We’re moving on to a new subject…Teaching Music Appreciation. This may seem like a no-brainer; of course we all strive to teach our students to appreciate music. We’d like to talk about ways to go about this, and ideas for making it fun. In my mind this topic includes so many things – appreciation of classical music (that is a biggie for me, since I am classically-trained), music listening, piano literature, concert attendance, music history, etc. Can’t wait to hear your input!

The Power of Parents

I hope everyone is having a wonderful weekend! Just got back from a quick road trip with my family…twenty hours of driving in two days (with a toddler!)…and it’s good to be home 🙂 I’ve been thinking a lot about this week’s topic of Practicing & Motivation, and about a wonderful comment that was left on my last post. The comment mentioned the importance of parental participation in practicing, especially when the student is young. I couldn’t agree more!

I have found that students with super supportive parents who regularly attend lessons and help with daily practicing are much more likely to succeed in piano. If only all parents were like this! Well they can be – if you require it in your studio! I have never officially required parental attendance and help with practicing, but have always strongly recommended it. I actually may add it into my policy as a requirement for parents of younger students (ages 5-7 or so), because it really makes a world of difference. My mom always practiced with us when we were starting out with piano lessons, and I do believe it made a big difference. If nothing else, it helped me to feel that my parents supported me and expected me to work hard. I attribute much of my own success to my parents’ wonderful support.

Some ways parents can be involved and show support:

  • Attending lessons of young students
  • Sitting down and practicing with young students
  • Helping students make (and stick to) a consistent practicing schedule
  • Sitting down and listening to children play their pieces (my Dad has always been amazing at this – he LOVES laying down on the couch at the end of the day and listening to his children play the piano – what a great message to send to your children, that you really do love hearing them play beautiful music!)
  • Giving compliments and words of encouragement
In what ways do you encourage parents to help support their children in their piano study? Do you require parents to help children practice? To attend lessons?

Check out our Helpful Resources!

Don’t forget to visit our Helpful Resources page, located in one of the tabs at the top of the blog. Here you will find links to articles and blog posts which relate to each topic listed. Find helpful ideas and resources for topics such as Teaching Beginning Theory, Practicing & Motivation, Your Studio Space, and many more!

This is a section that is constantly updated as we find great articles and ideas – so check back often!

Do your students know HOW to practice?

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As teachers, we should not only expect our students to practice, but it is our job to teach them how to practice effectively. Practicing really is an art, and must be taught. It shouldn’t just be left up to chance that our students will figure out how to practice well.

In some ways I feel that I really didn’t learn how to really practice well until my last couple of years of college. I finally learned to really listen, to be harder on myself in not making little mistakes and demanding perfection, and to be more efficient in my practicing.
Young piano students especially need to constantly be taught the basics of practicing efficiently and effectively. Here are a few ideas:

  • Write out specific practice steps in their notebook. This is particularly important for very young students. Make sure the parents know the practice steps and help the student execute them! These steps could include things such as:
    • Practicing hands alone
    • Clapping and counting the rhythm
    • Saying letter names out loud
  • Section off the piece and have them learn it one line or section at a time. A challenging piece always feels much more do-able when learned one line at a time (and can be learned a lot more efficiently)
  • Teach your students to learn not only the notes at first, but to learn the dynamics and articulations right from the beginning. When a student puts the dynamics in right from the beginning, they will become habit much quicker!
  • Have your student practice slowly, with the metronome. As they become more confident in the piece, gradually increase the tempo.
  • Make sure they are watching the music, not their hands. A few weeks ago I had a student struggling with a piece – he had been working on it for a few weeks and was just not quite getting it. As I watched him play the piece during his lesson, I noticed he was hardly ever looking at the music, but at his hands. I suggested to him that he try to look just at the music. He tried it again, and voila! It was seriously like magic – the piece was perfect. His mom was amazed and he was so pleased with himself. It’s amazing the results you can get with changing such a simple habit! 
  • Now this is an important one: teach your students to not stop when they make a mistake. The tendency of most people is to STOP when they make a mistake, and fix it. What happens, though,  is that the student unknowingly creates a habit of stopping in that particular place each time the piece is played. I have noticed in my students that they often stop before they even make a mistake, because they are anticipating the mistake they usually make! Also, if your students are instilled with the habit of not stopping, they will perform much better under pressure at recitals and other performances.
  • Now, having said all that about not stopping, it is also important that your students be aware of problem spots as they play. After they finish the piece or section they are playing, they can then go back and find the problem spot, figure out what went wrong and why, and fix it
  • Students must learn to LISTEN as they practice: listen for problem spots, listen for correct dynamics and musicality, listen for tempo, for note evenness, for articulations, etc. Sometimes it is very eye-opening (or, ear-opening?)  to record the student’s performance (either video or audio) and play it back for them to really listen.
  • Have the student try to play each line or section three times in a row perfect. Make it into a game, use three candies or treats as a reward. Most often this results in the student doing a lot of repetitions – which is awesome! I think that sometimes young students don’t realize the importance of playing short sections over and over again.
  • Sometimes my students will come to lessons unprepared; as much as I hate it when they are not prepared, I usually see it as an opportunity to practice with the student and show them how to practice more effectively. We work on a section of a piece, and usually get a lot accomplished in a short amount of time. 
In what ways do to teach your students how to practice effectively?

Practicing Incentives

My hope, as a piano teacher, is to eventually teach my students to love music, to love it so much that their motivation for practicing is that they want to become better, that they love making music. I want them to practice so they can perfect that challenging piece, so that they can experience that great feeling when they have really accomplished something wonderful.

But sometimes students (especially the young’uns) need a little bit of extra motivation and incentive now and then. Now of course, you don’t want them to solely practice just so they can get that prize – but what if they wouldn’t even practice otherwise? Isn’t it better for the student to practice consistently just so they can earn a prize, than to not practice at all? Rewards, prizes, and other incentives definitely have a place in early music study, and when used wisely can be a great help in training young musicians.

As a young piano student, my teacher gave us points each time we passed off a song. Each time our card of points was filled, we received a coupon for a free ice cream cone. How exciting it was to fill out those cards! Sometimes students need something like that to show them how much they have accomplished. And to be perfectly honest, for some reason my sisters and I hardly ever redeemed those ice cream cone coupons (I know, weird huh?) – we had this huge stack of them in our piano bench (why didn’t we redeem those?? that is so ridiculous). Even if you use a card or chart and students receive stickers for passing off certain assignments, having that visual representation of their progress can be very motivating for some students!

As a teenage piano teacher, I challenged my students to practice a certain amount each day and to record their practice time. In the summer when they came prepared to their lessons and had done their practicing, I used to take them out to our big freezer after their lessons and give them an Otter Pop (mmmmm…I can taste it now…). Students love getting small rewards, and a cold treat on a hot day might just be the motivation they need! It can be something very inexpensive (stickers and Otter Pops are definitely affordable, especially if you buy a lot at a time!), and it adds a bit of fun to the whole practicing thing!

My parents are very wise, and they instituted a great incentive program for my siblings and I: if we didn’t do our practicing, we were required to pay for our piano lesson that week! Holy cow, what a great incentive for a teenager with little income. Obviously this incentive would have to come through the parents, but it can’t hurt to suggest it.

Often in my teaching I have done a similar thing to my first piano teacher, in that I have Piano Point Cards for each student. Students receive different amounts of points for different activities: passing off a piece, reaching their practice goal (more on that later), performing a piece for somebody, memorizing a piece, arriving on time to lessons, attending a recital, etc. The great thing about this kind of system is that you can come up with your own categories for things you want to stress in your own studio. If you prefer that students complete assignments rather than practice a certain amount, then give points for assignments completed.

Another incentive program: hold a practicing competition. A whole new element is added to practicing when the student knows that they are competing against their peers. Sometimes a little healthy competition is just what your studio needs! Be sure to pick some good rewards for the winners, and make it lots of fun!

When deciding on what rewards or prizes to award to students, why not use music-related prizes? For example, a fun piece of sheet music (such as a fun pop song or duet) or a small gift certificate to your local music store is double motivation – not only will the student practice hard to receive it, but once they receive the prize they will want to go home and practice the new piece! Awesome.

Another idea: give out studio awards at a year-end recital. Make sure students know you are watching and paying attention to who practices hard, who improves different aspects of their playing, who has a good attitude, etc. Give out fun certificates and perhaps some small prizes.

My favorite story about practice incentives is from my little sister (my three younger siblings also have taught piano lessons!). When she was a teenager, she once had a student who would not practice. Week after week she struggled to motivate this kid to practice, but to no avail. So one week she asked him what his favorite candy bar was. He told her what it was, and she said, “If you practice this week, at your next lesson I will give you your favorite candy bar. If you don’t practice, I’ll eat it in front of you.”

Well, the next week the kid showed up and had not practiced again! So my sister proceeded to eat the candy bar. Way to follow through! hehe

What incentive programs have you used in the past? What has been the most helpful? What do you think motivates your students the most?

You only have to practice on the days that you eat.

…my former piano teacher had a sign with this saying taped to her studio door, a nice little reminder of what was expected of her students. As funny (or depressing) as this statement may be, it’s the truth! To become a good, proficient pianist, you’ve got to practice! And consistently.

Motivating our students to practice (and teaching them how to practice correctly and efficiently) is probably one of the most important things we do as music teachers. It can also be pretty frustrating at times.

In my mind, there are three basic types of students:

First, the student that we all wish and hope for: the one who always practices, and always comes to lessons prepared. These students are pretty self-motivated, and love music enough to make it a priority without needing extra motivation (or nagging) from a parent or teacher. Lucky you, you teachers who have these students!

Second, the student who usually enjoys piano lessons and makes an effort to practice, but isn’t the most consistent and may need some extra motivation at times. This type of student is pretty common.

And third, the kid who never practices. They are late to lessons, they never improve, they never pass off pieces. Teaching them gets more and more frustrating by the week.

How can we help all our students become like the first type? How can we motivate our students to really practice, to come to love music and to become good pianists?

There are so many answers to this question. There are so many ideas and incentives and rewards, so many ways to be successful at this. I hope that this week we can explore some of these ideas and help each other find ways to motivate our students better.

I believe that no matter what methods we use to motivate our students to practice, we should first consider the individual strengths, weaknesses and needs of each student. What motivates one will not motivate another. Sometimes the best way to motivate a student is to find that one piece that they just love and can’t get enough of; or to help build their confidence through successfully learning a difficult piece; or to discover a way to finally help a student understand a difficult concept  (and isn’t it wonderful to see that light bulb go on in their head when they finally “get” something?)

If our students are not good practicers, they will not be good pianists. Our job as teachers is to find out how to best motivate each student until they reach the point where they are self-motivated by the love of the music and the joy they feel when they play it.

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