A Fun Alternative to Flashcards

Do you ever get tired of drilling boring old flashcards? I do! Today I’d like to share a fun alternative I came up with this week that can be used for either individual students or with a larger group.

This week for my group piano class I decided to turn flashcards into a fun game that could be enjoyed by the whole group! I made some piano playing cards and we played Musical Go Fish. It was an excellent way to review notes on the staff (you really need to know the notes in order to match them up, or to ask another player if they have one of that note!) and also was a good review of music terminology such as dynamics, time signatures, accidentals, and rests.

The piano playing cards includes thirteen sets of four matches. The matches include sets of different notes on the staff that have the same letter name (along with one card that just has the letter), time signatures, keys on the piano, rests, note values, accidentals and dynamics. (See all sets below.)

So far we have only used the cards for Go Fish, but they would be super fun for a rousing game of Spoons (that would require even faster note recognition!) as well as other simple games.

The Piano Playing Cards are now available for purchase as a digital download in the Shop.

New Freebie: Piano Valentines

I have a new freebie available for you in the Shop today! I’m already a little tired of winter, but with Valentines Day coming up next month it makes the cold a little more bearable 🙂 I love this fun holiday! Piano Valentines are cute music-themed Valentine cards you can print out and give to your students. It’s always a nice gesture to give our students small gifts for holidays such as Christmas and Valentines Day. This makes it super easy! Just print, sign your name, attach a candy or other small treat and they are ready to go! There are five different sayings to choose from.

Happy teaching!

Don’t miss my other fun Valentines Day-themed piano resources!

6 Awesome Ways to Encourage Super Sight Reading!

In my teaching I like to focus a lot on sight reading. I feel that it is imperative to help my students develop strong sight reading skills in order to become confident pianists and musicians. A strong sight reader is a musically-literate pianist! Plus, isn’t that a goal of every developing pianist – to be able to sit down and play a fun song they’ve never played before and enjoy the experience of exploring new music?

Today I’d like to share 6 awesome ways to help encourage super sight reading in your studio. Some of these can be done from the very first lesson! Let’s help nurture a new generation of super sight readers!

1. Learning Steps and Skips

Young pianists can learn to sight read by simple intervals (steps, skips, repeats) from the very first lesson! I get out my Giant Floor Keyboard and my Giant Floor Staff and we practice walking up and down the keys and the staff in steps and skips, then we transfer that to the piano with our fingers! We cover high and low, and sometimes I take my little students to my staircase so we can practice stepping and skipping up and down the stairs – then we relate it to the staff!

The most effective method I have used for transferring these concepts to actual sight reading is using my Steps and Skips Strips, which are included in my French Piano Pack. Students as young as 4 and 5 become super sight readers using these fun flashcards. Students pick a starting note on the piano, then we play the short melody on the card while saying “step up,” “skip down,” “same,” etc. Students LOVE putting several cards in a row to create awesome, long sight reading songs!

2. Learning Landmark Notes

Students who know a few landmark notes on the staff and are proficient at sight reading steps, skips and repeats are able to sight read pretty well on the staff, even if they have only been taking lessons for a few weeks. I find that the quicker you can get students reading on the actual staff, the better! It is a HUGE confidence boost when a student can go home and tell their parents that they read actual music on the staff for the first time! I have some super fun Paris-themed Landmark Notes resources available in my French Piano Pack that will help familiarize students with the landmark notes in no time. It includes a landmark notes cheat sheet, two sets of flashcards and two worksheets to test their knowledge.

3. Speeding Up Note-Naming

As students branch out and learn more notes on the staff, they need to be able to name and play them quickly in order to improve their sight reading. These fun and colorful Rainbow Flashcards (available in my Irish Piano Pack) encourage students to play two notes in a row by floating the wrist up after the first note and landing directly on the second note. When students can play notes quickly without fishing around for the correct key, their sight reading speed will increase dramatically!

4. Using Good Sight Reading Techniques

When students have a little guidance on good sight reading steps, and use these steps each day in their sight reading, their sight reading will improve every day! I like to teach my students 4 steps to sight reading. First, look ahead at the piece and be aware of what is coming up! Find the correct hand position, and second, play the song at the speed of no mistakes – which means SLOW enough to not mess up. No matter what happens, try not to stop or skip a beat. Third, ask yourself “How did I do?” and point out any tricky spots you may have messed up on. Fourth, play the piece once more, this time going for accuracy.

Download the Sight Reading Tracker to give your students a fun and colorful reminder of the sight reading steps, so they can improve day by day!

5. Creating a Studio Sight Reading Challenge

In my studio we are starting a fun sight reading challenge this month; I want my students to sight read a TON this semester, so for each song they sight read throughout the week they get to put a little fuzzy in a jar in the studio. When the jar is all filled up they will earn a pizza party at the next monthly group class! Setting a studio-wide goal to work on a specific skill like sight reading is a great way to motivate your students. It creates a sense of community and a little bit of a social aspect to piano.

6. Improving Your Own Sight Reading

Take a 100-piece sight reading challenge with your more advanced students and improve your skills together! Choose a composer and sight read all of their piano works. Or, sight read works from composers of the same musical period. Or, choose sonatas or preludes and fugues or miniatures. The point is, get yourself sight reading on a daily basis. It’s an amazing way to improve your skills, to become acquainted with more piano literature and to set a good example for your students.

A great way to end your Christmas recital

Last year I shared a fun Christmas Songs & Activities Pack with several activities you can use in private lessons and groups during the holiday season.

Today I wanted to share what I did with one of the activities for my studio recital this weekend. The Carol of the Bells Jam Session Activity was the perfect thing to do at our group class after I had the students perform their recital pieces for each other.

I printed the activity and cut out the strips that each has a simple part of the song. Before the students came I got out my bells and other instruments and decided which part I wanted each student to play and what they would play it on. One of the great things about this activity is that there are SO many ways you can do it. You can use whatever instruments you have available and make it turn out so fun. I used my piano and my organ (the two students I assigned to play on the organ were thrilled to have a chance to try it out!), hand bells and xylophone tone bells, boomwhackers, and a tambourine. It would have worked just as well using all bells, any number of different instruments, or even all on the piano if you can squeeze your students onto different parts of the piano. The possibilities are endless.

I did change a couple of the parts to be more simple because I have a few students who are pretty young. I love that this activity is actually really fun for children or teenagers or adults alike, and it is very easy to adapt it to whatever age group you have.

Make sure that you assign the first part (the main motive that repeats over and over and over) to someone who is a little older or who you can trust to carry a steady rhythm throughout the entire piece. The way this works is that you start with part number 1, have that student play it twice, and then add part two. Once they have played it twice, add part three, and so on until everyone is playing. It’s important to have everyone count together out loud (“1 – 2 – 3 – 4 – 1 – 2 – 3 -4”) so everyone knows where to come in.

After parts eleven and twelve were played (I had one of my teenagers play both of them on the organ, once with right hand and one with left hand) I had all of the students stop playing (I taught them to listen for the A, A A A! at the end of that section and think “Stop! Stop stop stop!”) and my most advanced student and I played the bridge section together. After that everyone jumped back in and played their parts two more times. We ended with the first motive being played just once on the bells, slowly, and then one of my students played the lowest A on the piano to end.

I was a little nervous that everything might fall apart (we had only rehearsed once, at group class a couple of days before the recital) but my students nailed it! I was so proud of them. The audience was delighted and the students had a BLAST. It was the perfect way to end our Christmas recital!

Visit the Shop to download this activity and  for more great piano teaching resources!

More Classical Christmas Piano Music

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Three years ago I wrote a post about Classical Christmas Piano Music, highlighting several different Christmas-themed classical pieces. I love the idea of having students play some really great actual classical piano literature for a holiday recital instead of (or in addition to) your usual piano arrangements of Christmas carols. Since then I have found some more excellent pieces that I’d love to share! Many of these I discovered in Jane Magrath’s Guide to Standard Teaching and Performance Literature. This list is a great resource for teachers of intermediate-level students, as all of these pieces are quite accessible for students of that level.

Merry Christmas!

 

Bartok – Romanian Christmas Carols

Twenty pieces in two sets of ten make up Bartok’s Romanian Christmas Carols. I love the gorgeous melodies of these pieces. These would be excellent for later intermediate students to play as a set. These feature changing meters all over the place, so a student with a strong sense of rhythm would be a good candidate for these pieces. For some more interesting background information on these pieces, read the description in the following YouTube video:

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Violet Archer – Habitat Sketches, Three Scenes: III. Christmas in Quebec

A brisk and fresh arrangement of Angels We Have Heard on High. Right and left hands take turns playing the melody while the other plays lively jingle bells-like accompaniment patterns.

Preview and purchase on musiccentre.ca

 

John Beckwith – Suite on Old Tunes: 3 Jingle Bells

This one-page arrangement of Jingle Bells is original, quick and challenging as hands continuously cross over each other in quick eighth note patterns. The result is a fun and fresh version of the familiar tune that is easily accessible and quick to learn for an intermediate student, yet impressive and fun for a recital.

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Norman Dello Joio – Diversions: 4. Chorale and 5. Giga

These two movements of this set are based on the Christmas song “Good Christian Men, Rejoice.” The Chorale is a simple, two-part (with a slightly thicker texture at the end) rendition of the well-known tune. The Giga is a lot of fun! It features parts of the tune set to 6/8 time in a lively and rollicking Baroque-like Giga, but with more modern harmonies. This 4-page Giga gets louder and louder and has a dramatic, showy ending. Wonderful for a recital!

 

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Carl Reinecke – Christmas Sonatina

This intermediate-level piece in three movements is written in classical sonatina style and features several different well-known Christmas themes, including a motive from J.S. Bach’s Christmas Oratorio, Silent Night, “From Heaven Above to Earth I Come” from Geistliche Lieder, a theme from Handel’s Messiah (Every Valley Shall Be Exalted), and the Sicilian Hymn “O How Joyfully.” A wonderful teaching piece and great for a classical Christmas recital.

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William Gillock – Sleigh Bells in the Snow

A wonderful piece written in the key of E minor that portrays a brisk and rapid ride in a sleigh. It features lots of sixteenth-note runs played against a steady rhythm of accented staccato note clusters that sound like jingle bells. As the piece grows and intensifies in the middle there are some fun syncopated rhythms and big chords; it then gets softer and softer until the end as the sleigh drives off in the distance, but the tempo remains steady until the concluding pianississimo notes.

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Luis Gianneo – The Little Road to Bethlehem

A cute little rhythmic piece with a folk-like melody.

I have not been able to find the music for this one, but you can listen here.

 

Vladimir Rebikov – The Christmas Gift: Suite of 14 Pieces for Children

This is a set of elementary-level pieces for children; it includes some really great little teaching pieces that are a lot of fun to play. Movement 1, Gather Around the Christmas Tree is a beautiful little piece that captures the joy and excitement of Christmas. It features lots of small legato phrases in the right hand with descending staccato eighth notes in the left hand.

Movement 5, Russian Doll, is a cheerful, cute little piece that is excellent for practicing small legato phrases, as well as legato against staccato. It also has lots of graded dynamics.

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Several movements included in the book Classics Alive by Jane Magrath

 

Alexander Tansman – Pour les Enfants Set 3 No. 3: Noel

This gorgeous little piece features a beautiful, simple melody that is first played in the right hand and then the left.

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Alec Rowley – Sonatina Op. 40 No. 4: Winter

Alec Rowley’s opus 40 includes a sonatina for each of the seasons. The finale of the Winter sonatina is a fun combination of the melodies of The Mulberry Bush and The First Noel.

Don’t miss my other list of Classical Christmas Piano Music!

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Must-Have Christmas Piano Music

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Practice Trackers: Encouraging Thoughtful Practicing at Home

practice-tracker-image-2-2Do you ever wish you could clone yourself and sit down with each and every student at home every day to ensure that they are practicing effectively? Practicing can make or break a student, and it is our job as teachers to teach students HOW to practice. A little kid (or any student, for that matter!) needs more guidance than “go home and practice” and it is up to us to give them specific instruction on practice methods.

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I recently created a “Practice Tracker” for my students to help them and their parents remember some steps to good, thoughtful practicing and to help them consistently use these steps at home. I focused on four different elements of a piece when making these trackers – fingering, notes, rhythm, and expression. Each tracker has specific steps for learning a new piece and practicing that piece at home. After printing, cutting out and laminating the tracker, students use a clothespin to track their progress during their practice session. This can also help parents become better involved in practice sessions of young students because they can help read through the steps and know how to encourage good practicing.

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I have included four different practice trackers in the set that is now available for purchase from my Shop. One of them is for young beginners who are playing pre-staff notation pieces, and it helps students to becoming “music detectives” and look for clues in their pieces to help them learn their music. The next is for elementary-level students and has more detailed steps on how to practice each element of the piece. The third is for intermediate to advanced students who are learning a new piece that includes detailed steps for each element of the music. The last is a very simple tracker that simply lists the elements to work on in order; this one is great for any age and level but is especially helpful for young students.

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My hope is that by using these trackers, our students will become more conscientious, self-motivated practicers and will progress with more confidence through their pieces. Come visit the Shop for this and more great resources for your students!

Happy practicing!!

How to Host an Online Piano Recital

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This Halloween I decided to try something different in my studio – hold an online recital! I love finding ways to use technology in my studio, and I think it’s important to use the technological world our students are growing up in to our advantage. I also wanted to do something fun for Halloween but with a recital coming up in December I didn’t feel like we needed two recitals in close succession.

Advantages of Online Recitals

An online recital has many advantages. First, students are able to “invite” ALL of their grandparents, aunts and uncles, cousins, and friends, no matter where they live! What a fun way to share with family members near and far what your students are learning in piano and what progress they are making. With more “attendees” at this type of recital the students can get more support and more positive feedback. This in turn motivates them to continue to practice and progress.

Second, you don’t need to rent out space for your recital or clean your house and get it all set up for a recital. You simply sit at home in your pajamas and upload all of your students’ videos and format it how you want it, then send it off in an email! You also don’t need to stress about recital refreshments or anything else you usually stress about for recitals.

Another advantage that I discovered is that you are able to see each of your students in their home environment, playing on their own pianos. This can be eye-opening, as you can see the quality, the set-up, and the location of the pianos your students are doing their daily practice on.

A recital of this type also encourages some fun parental involvement (if you have the students record their videos at home, as I did) – parents get to help record the performance, optionally edit the video, and sometimes (if they play the piano) they may have the opportunity to play a duet with their child for the recital video.

Now obviously you would not want to hold every recital in this format, but it is a fun way to change things up once a year or so.

I would like to share how I hosted my online recital and all of the steps leading up to it.

Before the Recital: Making Performance Videos

Before the online recital was posted on Halloween, my students did have an opportunity to perform their pieces for each other in a group class. I think performance practice is an essential part of recital prep no matter what type of performance they are involved in. We practiced announcing pieces and bowing, and I had the students write little notes to each other, including what they liked about each performance.

I sent a note home to parents after the group class explaining how the online recital would work (the note also had a little chart for students to mark off after they had completed 5 practice performances, which they had to do before recording their video). Students were each responsible, with their parents’ help, for recording a performance of their recital piece at home. I told them that they could have fun with it and dress up in costume if they would like. We had a ninja, a princess, Mary Poppins, a witch, Darth Vader, and even Napoleon Dynamite performing in our recital! A few students opted to not dress up. There were also a couple of students who strung some spooky Halloween lights across their piano or used fun video effects to make their performance extra spooky.

Many of the students’ pieces had a teacher duet part. A couple of the parents who play the piano accompanied their child at home in their video performance; others I played with them and we recorded a second video during their lesson the week before the recital.

I gave students a deadline for sending me their videos. I found that it was easiest for them to just text me the videos – with smartphones that most people have these days it couldn’t get easier! You can have students record using a smartphone, if they want to edit the video they can use iMovie or similar video editing apps on their phone or computer, then attach the video to a text message.

Uploading the Videos to YouTube

Once I had all of the videos, I uploaded them to YouTube. YouTube has 3 options for privacy – I made sure to mark each of the videos as “Unlisted” and explained to the parents in advance that the videos would be unlisted and not available to view unless you have the link. Once I had all of the videos uploaded, I created a Playlist on my YouTube channel and also marked that as Unlisted.

With all of the videos in the playlist, I moved them around in the order that I chose. It’s very easy to click and drag the videos into whatever order you want once they are in the playlist. The advantage of using a YouTube playlist is that it will play all of the videos in a row automatically; so even if someone starts in the middle of the playlist it will continue through the whole recital.

Creating a Digital Recital Program

Next, I used Word to create a recital program. I changed the page background to orange (because, Halloween!), found a fun font and entered in all of the students’ names with the names of their pieces. I decided to just use first names and last initials, as this was going to be emailed around to friends and family. I ended up using a table to enter in all of the students and their pieces, then made the table border and lines transparent. Once the program was all typed up, here came the fun part!

I went to my YouTube playlist in my internet browser and, one by one, clicked on each student’s video (*be sure that you have the actual playlist opened, not just the individual videos you uploaded to your YouTube channel; if you use the video in the playlist it will continue to play each of the other performances after the selected one). After clicking on a video, I selected the URL address at the top of the browser and copied it. Then I went back to Word, selected that specific student’s name, then right-clicked on their name. From the menu that pops up I selected “Hyperlink.” I then created a hyperlink by pasting in the copied URL address. I also changed the font style of the hyperlink so that it would not make the words blue and underlined (which is the default hyperlink setting). I wanted an orange program with all black words. See the following images for help in adding a hyperlink of a YouTube video to a Word document:

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I went through each video and changed each student’s name AND the name of their piece to a hyperlink linking directly to their performance video in my playlist. I also put a link at the top of the program that linked to the full playlist, so you could simply click on that and watch the whole thing. In addition, I created a Google form where viewers could leave comments and feedback for each of the students; there is also a link to that at the top of the recital program.

One important thing that I did when making the recital program was I did NOT click on the hyperlinks until AFTER I had saved the recital program as a PDF. This was because once a hyperlink was clicked on, it changed the color of the font. I am sure there is a way around this, such as customizing the font color and style once the link is clicked on, but I couldn’t figure it out. So I entered in all of the hyperlinks, made sure it all looked good, saved it as a PDF, and then opened the PDF and tested ALL of the links. I made sure they all worked and linked to the correct video.

Click the following link to see what my digital recital program looked like. For the privacy of my students, I have removed all of the hyperlinks except for the one of my performance at the bottom of the program.

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Creating a Comments Form Using Google Docs

I created a simple form using Google Docs where recital viewers could leave nice comments to the students after watching the recital. I thought this would be a positive way to receive feedback, since they wouldn’t get instant feedback like a traditional recital where viewers are clapping for the student immediately after their performance and congratulating them afterwards. I wrote a little explanation at the top of the form, then made a “question” for each student; I simply entered in each student’s name for each “question” and then changed the answer to a paragraph response.

Emailing the Recital

Once the recital program was complete, I made a simple recital “invite” and saved it as a jpg file. I then sent an email to all of my piano students’ parents (I always use BCC in the “to” field when emailing all parents – this makes it so each person cannot see all of the other email addresses I sent the email to, and when they respond to me it does not send an email to EVERYONE on the list). To this email I attached the recital invite image so it would show up in the email when it was opened, and the digital recital program PDF. Students could then forward on the email to whoever they wanted to view the recital – grandparents, friends, cousins, whoever!

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This was a lot of fun and a positive experience for my studio. I hope it helped give you some fun ideas for your next recital!

Happy teaching!

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Inspiring Creativity with Halloween Music

One mistake we sometimes make as piano teachers is waiting too long to teach certain concepts to students because they haven’t yet reached those concepts in their method books.

Students need opportunities to be challenged, to be inspired and to also use their own creativity to create music. As we do these things, their excitement and love for piano grows, they progress in leaps and bounds and they realize they are capable of so much.

I had a student recently who was not super consistent with piano practice and was not progressing very quickly. She was still a beginner, playing pre-staff notation pieces, and just hadn’t really caught that spark of enthusiasm for the piano. One week she forgot her books, so I used the opportunity to get out some completely different materials and teach her some sight reading skills on the staff. She caught right on, and – voila! – was able to sight read 4 or 5 simple pieces on the staff. She was so ecstatic and proud of herself, and that spark just came alive! Great things can happen when we take a step away from the method books, use our own intuition as teachers and teach that challenge piece, or allow our students to experiment with some harder concepts that we don’t realize they are capable of at that moment.

Read my list of 25 things to do when Students Forget Their Books!

Halloween pieces are a fun way to accomplish this – to get students out of the mundane routine of the method books and to really dip our toes into the world of fun articulations, super musical expression and fun in music. Halloween pieces are sneaky, they’re creepy and quirky and students have so much fun playing these sometimes challenging pieces where they get to learn new concepts such as accents, staccatos, very contrasting dynamics, playing one or two octaves higher, and more.

I have a new Halloween activity that I’ve added to the Shop that is a wonderful way to introduce a lot of these fun techniques and articulations to your elementary students and higher. It’s called the Spooky Halloween Piece Generator, and students get to change one of their simple five-finger position pieces into a spooky, musical Halloween masterpiece! This activity combines music theory, technique, composition, creativity and expression into one super fun activity that can be used with individual students or adapted for a group.

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Piano Trick or Treat Game

I just added a fun Halloween game to the Shop called Piano Trick or Treat! It’s a fun activity to teach students some super cool piano “tricks,” or techniques, and to show them some fun and funny piano “treats,” or performances, via YouTube. I plan to use this at a Halloween group class, but you could easily adapt it for individual students at private lessons, or even just send it home for a student to play with a parent.

Simply print the cards back to back so that the pumpkins and ghosts are on the back of each card. Put into two piles (Tricks and Treats), and have students take turns choosing Trick or Treat. Each trick card has a cool piano trick to try out (for example, playing “ghost notes” using a cool overtone trick) and each treat has an awesome video to watch (like a funny Marx Brothers piano duet!).

I’ve created a YouTube playlist that contains the videos I used in this activity plus a few extras.

Happy Halloween!

Classical Halloween Piano Music

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With Halloween right around the corner, I’ve been searching high and low for some fun classical Halloween pieces for my students. The fun thing about Halloween music is that it gives students an opportunity to really work on their musical expression. Halloween music is sneaky and spooky, has lots of accents and staccatos and surprising sforzandos, and playing in a minor key is always kind of exciting. Many teachers do fun Halloween recitals where students dress up in costume to perform their pieces. There is a plethora of Halloween-themed teaching pieces available these days, but I wanted to find some classics that could fit well with this theme – and I found so many!

A few of these I discovered by scouring through my well-used copy of Jane Magrath’s The Pianist’s Guide to Standard Teaching and Performance Literature. Her book is amazing for discovering new teaching pieces from beginning levels to early advanced. She ranks each piece in the book by level, Level 1 being Bartok’s Mikrokosmos, Vol. 1 and Level 10 being Bach’s Three-Part Inventions and easiest Chopin Nocturnes. For the pieces I list here that are in her book, I have included her difficulty level.

So enjoy this fun list of Halloween piano pieces! Please comment with other great pieces you would add to this list. Happy Halloween!

Monsterpieces (and Others) by William Bolcom

A set of contemporary pieces for children. Magrath puts this set at a Level 2. Includes titles such as “The Mad Monster” and “The Sad Monster.” Each page has a fun drawing to go with the score.

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3 Ghost Rags by William Bolcom

Three advanced piano solos in a fun ragtime style. Includes “Graceful Ghost Rag,” “Dream Shadows” and “The Poltergeist.”

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A Terrible Tale, Op. 98 No. 11 by Alexander Gretchaninoff

This piece is part of his Opus 98 “Children’s Book.” Magrath rates this piece at a Level 4.

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Deserted House, Deep Forest, and Clowns from For the First Time (Twelve Impressions in a Child’s Day) by Howard Hanson

This is a neat set of imaginative and contemporary pieces for the advancing pianist (Magrath puts them at a level 8). Deserted House is spooky-sounding with some beautiful tonalities. Deep Forest is a chord-based piece with sonorous, contemporary tonalities. Clowns begins with playful, one-note motives and grows to include big chords and an impressive-sounding ending.

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Moonlight Night, Op. 52a by Alan Hovhaness

A rhythmic and wistful contemporary solo that includes mixed modes and near-Eastern scales. (Magrath, Level 4)

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A Witch’s Story, Op. 33 No. 14 and Stormy Stream, Op. 33 No. 18 from Miniatures by Samuel Maykapar

Fine teaching pieces in a Romantic style. Magrath puts these at a Level 7.

Bruxa (The Witch Doll) from Prole do Bebe No. 1 by Heitor Villa-Lobos

Each piece of this set is about a different type of child’s doll, but the pieces themselves are difficult. Magrath puts Bruxa at a level 10.

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Grandmother Tells a Ghost Story, Op. 81 No. 3 from Kinderleben by Theodor Kullak

A lovely, spooky Romantic piece perfect for the intermediate pianist. It is included in this collection of Miniatures edited by Maurice Hinson.

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The Ghost in the Chimney, Op. 81 No. 10 from Kinderleben by Theodor Kullak

Another great teaching piece from Kullak. It’s included in this great collection by the Fabers – Piano Literature for a Dark and Stormy Night.

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The Lame Witch Lurking in the Forest Op. 31 No. 9 by Vladimir Rebikov

A great little spooky piece for Halloween!

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L’Orage (The Storm) Etude Op. 109 No. 13 by Friedrich Burgmuller

Burgmuller has several wonderful teaching pieces that would be excellent for a Halloween-themed recital. They contain a lot of fun articulations and mysterious, minor tonalities, and they are a lot of fun to play!

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Arabesque, Op. 100, No. 2 by Freidrich Burgmuller

Ballade, Op. 100 No. 15 by Freidrich Burgmuller

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The Wild Horseman by Robert Schumann

A great little piece for intermediate students just venturing into the realm of classical music. It is not too difficult but can be played at a quick speed for a nice showy recital piece.

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Prelude in C-sharp minor Op. 3 No. 2 by Sergei Rachmaninoff

Whenever I play this piece I can hear my high school piano teacher’s voice narrating the piece as I played with the story of a fire. She said that the fire slowly started to burn and to grow; as the flames got out of control there was chaos! Panic! Finally it burned down to a few glowing embers that slowly burned out. A wonderful recital piece and motivational piece for a high school student, this is a fabulous example of Rachmaninoff’s trademark big, huge chords and is a blast to play.

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Prelude Op. 28 No. 2 in A minor by Frederic Chopin

A lesser-known prelude from Chopin’s famous set, this has a sad, spooky sound that would be great for a Halloween recital.

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Clairs de Lune, No. 3: Le Cimetiere by Abel Decaux

This little-known set of pieces by French composer and organist Decaux is wonderfully contemporary with beautiful yet spooky sonorities. This movement depicts a cemetery in the moonlight. I love the huge, rich chords that surround the simple, plodding melody; the sound grows and grows and then dies down near the end. I played this piece in college for my senior recital, so it’s one of my faves.

decaux

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