Giant Floor Piano – the specifics!

I have had so many nice emails and requests to know more about how I made my giant floor piano – so I thought I’d share a post on the specifics for any interested in having a similar one made (and I know that summer is swiftly approaching, and many readers are working on summer camp plans!). In fact, I have done all the work for you, if you want to easily order an exact one for your studio, read on!

My floor piano is a 3′ by 8′ vinyl banner. It is super sturdy (which is perfect, considering all the running and jumping-on it gets!) and I was so pleased with how it turned out.

I first designed my own piano keyboard graphic on the computer to use for the banner. If you would like, you may purchase and download my graphic and save yourself the time and energy! I was very pleased with how the graphic turned out on the finished product. Visit the Shop to purchase and download the graphic.

 

I then searched around for the best rates on vinyl banners. I came across the website www.bannersonthecheap.com, went ahead and designed my banner, then crossed my fingers while clicking “order,” hoping it was a legit, good company who would do a good job! I was very pleasantly surprised with the quality of their product, and with the fast delivery time! The vinyl is very thick and sturdy and rolls up really nicely for storage.

The banner itself is 3 feet by 8 feet, which costs under $30 from Banners on the Cheap (shipping costs are also reasonable, and I have noticed they have even better deals from time to time). When you visit their website, near the bottom you want to select the “Have your own design?” option. Choose 3×8 and click “Start Now!” In the next window select “Upload an Image” and upload your own image or mine that you downloaded. Enlarge the graphic on the preview screen to fit the banner, then center it using the center tool. When you go to the order screen, make sure you un-check option #4 (because you don’t need grommets for hanging the banner). Add to cart and you are done! My banner arrived so quickly and I am super pleased with it.

I hope this helps some of you! I’d love to know if any of you use this in your summer camps and studios, and hear your brilliant, fun ideas on how to use it. Enjoy!

Now I am toying with the idea of a giant staff banner for learning notes… 🙂

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Getting Motivated

This week I would like to revisit a topic we have discussed before, because it is something that I, personally, (and I am guessing a lot of you, as well, particularly if you are a parent with young children at home!) need constant work on, and is something that is so important to our success as teachers. I’d like to talk about Motivating OURSELVES to Practice.

This is something I struggle with a lot. I really do miss those days of long, uninterrupted practice hours. My current priority as a stay-at-home mom prevents me from achieving anywhere near that much practice time. In fact, there are so many days when my head hits the pillow at night that I haven’t even touched the piano.

Ahh, the college days of practicing ALL THE TIME – I do admit that I miss it!
Lately I have been really wanting to change this! I love the piano, I love to practice, and I wanted to find some way to motivate myself and practice consistently (even if that meant only 30 minutes a day!). So, I am kind of a nerd but I ended up finding just the motivation needed for a dollar – I bought a new box of colored pencils, and downloaded a free iPod app, and apparently that was all that I needed! Let me explain:

1 – the colored pencils: In order to really sit down and practice and make some progress and find the joy in playing, for me at least, I really have to practice well. As I am learning a new piece, I write in all the fingerings, mark phrases and important voices, circle dynamic markings, etc. Hence the colored pencils 🙂 This approach works great for me and I love it because I see so much progress, and I am truly able to make some measurable progress in a short amount of time (even if a small child is yelling for Mommy in the background!).

2 – the iPod app: I am so grateful to Anne Crosby Gaudet’s post about this amazing free iPod app called Just Practice! It really helped me to organize my practicing and motivate myself to get it done daily. Granted, I am still not perfect and do miss some days, but there is just something about a calendar that says “Today’s progress: 0%” that really makes me want to sit down and get it done. I try to practice at night after my son goes to bed, or I find him a fun activity he can do in the room with me for half an hour or so. If I was really good with technology I would share a sound clip with you (which I recorded on Just Practice! – there is a place where you can record yourself playing different pieces and then listen back to them later) of me practicing Chopin’s Scherzo No. 2, with my son’s little voice in the background, begging me to “turn around and LOOK!!” at something. It kind of makes me smile, and realize the difference between my practicing now and back in college 🙂

Now tell me…..What inspires you to practice? What tools help you? Are you motivated by a practice chart? By a list? By a timer? By a desire to instill the value of hard work in your students? In your children? In your unborn child (who, in my case, is listening to me practice every day!)? What can you take from your own practicing to use in the lessons you teach your students? What do you learn about practicing that helps teach your students to practice?


Stay tuned for more on this topic this week…including a wonderful guest contributor!


Feel free to take this short survey, or leave a comment below. I’d love to hear your input!

Weekend Repertoire: Schumann’s Arabeske

As my son went up to bed tonight (at the time of writing this post…yes I write a lot of these in advance – as a mama you’ve got to take the time when it’s available!), he called down the stairs, “Mommy, play me some music!” Which really warmed my heart because he doesn’t often say things like that. He usually tries to pull me away from the piano instead of requesting it. I played through a few pieces, and then picked up Schumann’s Arabeske, a piece I have loved ever since hearing it for the very first time, and one that I performed at my sophomore recital in college. As I played the familiar notes it was almost like seeing an old friend after many years. There really is something so beautiful and transcendent about this piece, the harmonies and the colors that simply rekindles my love of music and the piano.

If you are not familiar with this amazing piece, please take a few minutes and watch this amazing video of Horowitz’s performance of it in Carnegie Hall. Pay close attention at 5:58 – this little “benediction” is just heavenly. Who else is just amazingly grateful for music after hearing this piece?

We have a winner!

Thanks to everyone who entered our Ear Training Pro giveaway! I am excited to announce our winner!

Congratulations to:

Shauna Leavitt from Keys to Notes

Shauna Leavitt said…
I took your ear training survey the other day and it was quite revealing of how little time I spend teaching my student about ear training. This would be an excellent tool for students and teachers to ensure that this skill isn’t being neglected.
13/4/11 8:57 AM Shauna, please contact me with your email address, so the Ear Training Pro people can get your account all set up. Congratulations!

Last day to enter giveaway!

Our EarTrainingPro giveaway ends tonight at 11:59 PM (CST). If you have not already entered to win a FREE account on EarTrainingPro.com, hurry over here and enter! This is a fabulous resource for any music studio that you do not want to miss out on! The winner will be announced tomorrow.

Famous Pianists: Emil Gilels

I am excited to introduce a new feature, Famous Pianists, on The Teaching Studio! 
In college, during a master class one evening, our professor asked us each to take a piece of paper and write down all of the famous pianists we could think of. He gave us probably five minutes or so, and in those five minutes I came up with {embarrassingly} hardly anything. I don’t think that I was the only one who {sadly} was not familiar with many famous pianists, but I was the lucky one chosen to read my list aloud 🙂 
That experience definitely made me think, and gave me the desire to really get to know the great pianists out there. While I have definitely learned about and become familiar with many great and legendary pianists since that day, I still feel that my knowledge is greatly lacking in that area (is there anyone who feels this same way?). As pianists and teachers, we must be familiar with the legendary pianists and the great pianists of our own day, for there is so much to learn from their performances and technique. We need to familiarize our students with these famous pianists as well – in fact, there is a great article in the Clavier Companion about using DVD’s and YouTube videos of historical performances in our teaching.
So, with that said, I will be posting a feature about a famous pianist every couple of weeks or so, in the hopes that I (and my readers, as well!) will become much more familiar with these important pianists! I am so excited! I will be getting a lot of my information from the wonderful book by Harold Schonberg, The Great Pianists: From Mozart to the Present, and will also be sharing some great videos of performances. I hope you enjoy!

Today’s pianist: Emil Gilels

Born: October 19, 1916 in Odessa, Ukraine (which may be why I chose to begin with him, as we share the same birthday!)

Died: October 14, 1985 in Moscow, Russia

About the man: Gilels won the first All-Union Contest of Musicians and Performers in 1933 at the age of 17, and then attended the Moscow Conservatory. Known as “The Little Giant,” he was hailed as a “master pianist” after his first appearance in the West in 1955.

Characteristics of his playing: His playing was strong, clear, objective, steady, logical, unaffected. Schonberg calls him “a thinking man’s pianist.” He, as well as other Russian pianists of his time, concentrated on “tone, on phrase, on the cantabile quality of the instrument.” (Schonberg, 464.) His technique was brilliant.

Repertoire: Gilels played a “steady diet” of Beethoven, Schubert, Schumann, Chopin and Brahms. I love his recordings of Rachminoff; Schonberg mentions his “incredible octaves” in Liszt’s Spanish Rhapsody.

Videos


Musical Easter Egg Hunt

I am so glad to be a part of this wonderful online network of piano teaching bloggers, because I am so grateful for all of the wonderful ideas you all share!

This morning I was reading this post on Heidi’s Piano Studio, and decided to use her great idea and adapt it for my preschool student who came later this morning. (Thanks, Heidi!!)

I got out my stash of colorful craft foam (seriously, it is the best stuff!), some paper, a pen, some tape, and an egg-shaped cookie cutter…

…and made these fun Easter egg preschool flashcards!
I included things that we have learned during lessons in the past little while, including things such as:

  • rhythms to clap, including rests
  • line notes vs. space notes
  • steps and skips
  • treble clef and bass clef
  • the staff
  • finger numbers
  • high notes & low notes on the staff
  • Presto and Adagio
I hid them around the room, and my student had lots of fun hunting for eggs and then identifying the things on the back! My three-year-old son got his turn after my student left, and he loved it as well!

After we found all of the eggs, we lined up the rhythm eggs and tried clapping them in different orders, and playing notes on the piano in the correct rhythm.

I love that with a little creativity, you can turn a boring old flashcard exercise into a fun, memorable learning activity!

Ear Training Survey Results

Thanks to all who took our survey last week about ear training and piano lessons. It looks like many agree that ear training skills are pretty important for piano students to have. I hope that the results will at least get you thinking about ways to improve ear training in your own studio (because it has definitely helped me to think about it more as well!). Here are the results! I especially love the input given on question #4.

Now, don’t forget to enter our GIVEAWAY to win a free account on EarTrainingPro.com! You definitely do not want to miss out on this opportunity – this is a wonderful way to easily incorporate ear training into your studio. You have four days left to enter!

Weekend Repertoire: Ravel’s Prelude

I am excited to re-introduce my Weekend Repertoire feature here on the Teaching Studio! As pianists and teachers, shouldn’t we always be discovering and re-discovering repertoire to teach our students and to broaden our knowledge of the piano works of great composers?

Today’s piece: Prelude by Ravel, written in 1913
Level: Early Advanced
Teaches: expression, advanced phrasing techniques, crossing of hands
Listen: there are three recordings of this piece available to download or listen to at pianosociety.com

This week’s piece I discovered just yesterday while sight reading through some wonderful pieces by Ravel. In fact, I would highly recommend this great collection of Ravel’s piano pieces (which includes the Prelude as well as eleven other piano masterpieces). According to Hinson, they “represent some of Ravel’s finest contributions to the pianist’s art.” I had never heard this short, simple prelude before but I immediately loved its simplicity, its beautiful haunting harmonies, and the interplay between the right and left hand lines.

Preview of music from everynote.com

Although very simple and relatively easy to learn, this 27-measure piece requires much use of expression, as well as great attention to detail in shaping the phrases and bringing out the melody, particularly when the hands cross over one another.

According to the notes by Hinson in my book, this piece was composed in 1913 as a sight-reading piece for the Paris Conservatory to use in their piano competitions. Hinson says this about the piece, “The Prelude involves some interlocking of the hands and contains a few unexpected harmonies. Its gentle lyricism, relaxed tempo and interesting inner voices affirm Ravel’s gifts as a superb miniaturist.”

In my studio I put a lot of emphasis on musicality and artistry, and I am so excited to use this piece with some of my more advanced students to teach advanced phrasing and expression. I hope you enjoy discovering this wonderful little piece!

Other online ear training resources…

In researching about ear training, I found a bunch of free online trainers and other resources, and thought I’d share what I came up with! Let me know if you know of others to add to the list.

http://good-ear.com/
http://www.ossmann.com/bigears/
http://www.trainear.com/
http://www.musictheory.net/
http://www.musicalmind.org/
http://www.learn2hear.org/
http://www.dolmetsch.com/musictheory43.htm

If you have not already taken our short ear training survey, head on over here to take it!
If you haven’t yet entered our GIVEAWAY this week, make sure you don’t miss that as well!

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