Teaching the Individual, Part 3: Choosing Good Repertoire
This week we are discussing ways that we can maintain standards of excellence in our studios, while at the same time adapting our teaching styles to help each individual student succeed.
Choose appropriate repertoire that is fun for the student.
Getting off of the bench…
I wanted to share something fun that has been really great for my young students (and my young son loves it too!). Sometimes (especially with young students who have the wiggles) sitting on the piano bench for an entire lesson is just out of the question. Young children need to move around, their minds and imaginations sometimes go at a mile a minute, and their attention spans can be so short at times.
So at times like this, I like to whip out my roll-up piano! This thing is so cool. Of course it does not have the same feel as a real piano, but it really does work. It is perfect for sitting on the floor and learning about the keyboard. You can use it to teach theory concepts, the layout of the piano keys, note names, chords, etc. Plus it is so darn cool that students will be so interested and get a real kick out of it. This thing is awesome, it is so portable and really works quite well. I definitely recommend it for young students, and think that anything to make lessons more fun and exciting will have an impact on the success of the students.
Teaching the Individual, Part 2: Goals of the Student
Teaching the Individual, Part 1: Teaching Philosophies
Teaching the Individual
Something I have learned about teaching over the years is that, every time you get pretty comfortable teaching and feel like you have a pretty good grasp on the art, you all of a sudden get a new student who completely throws you for a loop.
What worked for your students in the past just does not work for this one! They learn at a different pace. They see things differently. They need things explained a completely different way. They have totally different goals.
And when you get the hang of teaching them, you get someone new who is completely unique and different from the last student!
And so it goes.
Anyone else notice this pattern? I actually enjoy it, because it keeps me on my toes. When I come up with new and exciting ways to teach different personality types and different ages, I get really excited. My confidence grows, my attitude changes and I really feel like I can influence my students for the better.
So how do we do this? How can we be flexible and adaptable in our teaching, yet still adhere to high standards in our studios? How can we help each student, no matter their background, personality type, and musical goals, have a positive experience with music lessons?
Preschool Poll & Resource List
I have loved discussing preschool music this week! Here are our poll results:
Other answer: “Have tried; depends upon child and their day!”
I also thought it would be helpful to compile a list of websites with helpful resources and information pertaining to preschool music. Most of these things were mentioned this past week or so either in a post or a comment. What wonderful resources are out there for music teachers! Love it. Let me know if you have any great websites to add to the list!
http://www.musikgarten.org/
http://www.preschool-music.com/
http://www.kindermusik.com/
My First Piano Adventures books & CD’s
http://www.kelly-kirby.com/
Pianomouse Goes to Preschool software
http://www.musicmindgames.com/
http://www.myc.com/
http://www.pianodiscoveries.ca/
Weekend Repertoire: Good-Humored Variations
I just discovered a great little set of theme and variations and had so much fun playing it that I had to share! I can’t wait to teach this one to a student.
Today’s piece: Seven Good-Humored Variations on a Ukrainian Folk-Song, Op. 51, No. 4 by Dmitri Kabalevsky
Level: Mid-Intermediate
Teaches: oh so many great things: theme and variations, staccato at a piano dynamic level, accents (including tenuto and sforzando), marcato, leggiero, alberti bass, arpeggios, left hand melody, syncopated/off-beat rhythm, cantabile
Preview the score: here
Buy the score: here
Listen: here, on YouTube
So I had to laugh at the title of this piece, but these variations definitely are good-humored and playful. This would be a wonderful piece for a student looking for something fun, a little bit showy (would be excellent for a recital), and challenging enough but totally doable. The theme itself is super simple. The thing that makes this piece so great for teaching is that it uses a great variety of articulations and musical markings – soft, staccato & leggiero; loud & marcato; smooth and flowing and cantabile; and basically everything in-between. The final variation and coda includes lots of octaves, accents, sforzandos and fortissimos.
My advice in learning this piece would be to:
- Learn it one variation at a time, hands alone.
- Figure out the basic chord progressions and write them in. Learn them well because the progressions in each variation are very similar.
- Learn the details right from the beginning – have fun with it! Make your dynamics very contrasting, play staccatos very short and crisp. Make the legato sections very smooth, connected and beautiful, to contrast the many staccato, marcato, and just plain loud sections. Figure out what the character of each variation should be, then work on listening to the sound of each variation and creating a unique sound and character for each.
- Practice with a metronome – go for accuracy and control, especially on the fast sections. They will sound much more brilliant and energized when you can play each note clearly at a controlled tempo.
- Again – have fun with it! Make it sound like a dance.
Image credit |
Teaching High and Low
I recently came up with a little game to teach the concept of high notes and low notes…it has been a success! Not only has it been great for teaching high vs. low on the keyboard, but has become a great tool for exploration and improvisation at the piano. I have used this with preschool-aged children (and even with my son who is not yet three). It would probably also be great for other beginners who are school-aged.
It is really very simple. You can play it at the piano or away from the piano (I have a little keyboard printed on the sheet to use if you are not at a piano). I put the sheet and a small envelope inside of a file folder for easy organization. Here’s a photo:
How to Teach Music to Young Children
People often ask me when they should start their child in piano lessons. My answer: as soon as possible! It is never too early to start exposing your child to the world of music. Now, I am not saying a 3-year-old should be in private lessons. No toddler or even preschooler should be expected to sit on a bench for 30 minutes, listen to explanations, memorize terms, and follow complex directions. Not if you want that child to actually enjoy music and come back again next week! Here are a few ideas for teaching these young beginners.
Strategies for Teaching Music to Young Children:
- Teach in groups: Children learn best in a group environment where they can explore, learn from their peers, and feel completely at ease. This is not to say that some children won’t be shy and take some time to warm up to the group situation. Be patient with these students, and let parents know that they are learning by observing, and there should be no pressure for them to perform.
- Involve parents in the class: Children learn by watching not only their peers, but their parents. If parents participate in class activities, their children will (this obviously doesn’t apply to older kids and teens, but works great with toddlers).
- Include lots of movement: Not only do kids not sit still well, but they also need to feel the rhythm and the music in their bodies. They are hands-on learners, and need to be completely immersed in the music. March to the beat, tap your knees, do actions that match the words, and allow free movement with scarves or rhythm instruments.
- Keep up the pace: Move quickly from one activity to the next, without pausing to look at your lesson plans too long, and without too much explanation.
- Use repetition: All learning occurs through repetition. Don’t rush through activities so quickly that kids start to feel lost. They do have short attention spans, but that doesn’t mean they won’t enjoy singing their favorite song three times instead of once. Repeat activities in each class, and from week to week.
- Layer concepts: Along with repetition, use the concept of layering. Rather than trying to teach a 2-year-old to play a C on day one, first teach him about black and white keys. Repeat this for a couple of weeks, and then introduce groups of 2 and 3 black keys. When the students are comfortable playing 2 black keys with right hand bunny-ear fingers, show them that C is right underneath their thumb. Use this kind of layering with any concept you are trying to teach.
- Have a routine: Children thrive on routine. They like to know what to expect. The class will run much more smoothly—and the kids will be more able to learn—if the sequence of activities is mostly the same each week. For instance, always begin with a welcome song, then move to a rhythm activity, flashcards, movement to music, singing with actions, and keyboard time, etc. Keep this as consistent as possible from week to week, allowing it to evolve as you add more activities and concepts.
- Use by-copy techniques: Chant rhythms and have the students chant them back while tapping sticks or drums. Sing solfege melodies and have the students sing them back.
- Teach ear-before-eye: You can tell a 2-year-old that a quarter note gets one beat, and he won’t have a clue what you mean, but if you give him a drum and let him pound away to the music, eventually you can show him a quarter note and tell him that’s what he was playing.
- Incorporate social skill development: Include activities in the class that require the children to take turns, share, and cooperate with each other. These social skills are new to most toddlers and preschoolers, and are just as valuable as the musical skills they are learning.
- Play! Children learn best through play. They experience the world through all of their senses, and they are constantly learning. They will not respond well to lengthy explanations or drills. A play-centered environment allows them to learn without even realizing they are learning.
Activities and Materials to Include in a Preschool Music Class:
- Rhythm instruments: bells, drums, tambourines, maracas, woodblocks, castanets, shakers
- Keyboards: this requires a significant investment, but if you can even have a small keyboard for every child, you will be able to prep these kids for later piano training
- Singing: Use solfege and words to get children singing.
- Large-Motor Skills: marching, actions to songs, tapping on various body parts, rolling a ball, holding hands and moving in a circle, dancing with scarves
- Small Motor Skills: finger plays, songs with finger actions (like Itsy Bitsy Spider), keyboard activities
- Listening Activities: read stories, listen for different instruments in a recording, listen for more abstract sounds (does this part sound like a lion roaring? or a fish swimming in the ocean?)
- Other Materials: balls, hoops, scarves, big colored flashcards, etc.
Obviously I could go on and on, but short of writing your curriculum for you, I hope this gives you some good ideas and place to get started!