The 5 Elements of a Well-Rounded Piano Education

If you consider all the many things a piano teacher must teach their students, I believe that it all boils down to five areas. These are the main elements of a piano education, and a great way to structure a lesson and a curriculum. Using these as a basic structure has helped me become more organized as a teacher. As you’re planning lessons for students, choosing activities and concepts within each of these five areas will help your students to become well-rounded, good musicians!

Theory Instruction – How Music Works

Music is a language! We are teaching our students how to read and communicate in this language, and they must understand it. Everything from notes and rhythms to keys, chords and scales, inversions, chord functions in a key, and so much more, make up music theory. An understanding of how music works is imperative as we train great pianists!

Technical Instruction – How to Play

Understanding notes and keys and chords is important, but then we must take that knowledge and put it into action. Teaching our students how to play the piano includes teaching them how to play scales and chords, and the proper way to play physically with their fingers, hands, wrists, and arms. There should also always be a musical goal for every technique we teach them.

Repertoire – What to Play and How to Practice

We put theory understanding and technical skills into practice with the pieces that our students learn! Not only is it important to choose great repertoire to motivate and inspire our students and to help teach them technical and musical skills, but we must teach them how to practice well.

Creative Skills – Making Your Own Music

Though you could argue that you can stop after the first three elements (and many traditional piano lessons often did), I believe that to create great musicians we must teach our students how to synthesize all of the knowledge and skills they have learned and put that into creating their own music! It’s important to get off the written music sometimes and create. Whether this be through composition, improvisation, harmonization or arranging, this is such an important part of being a musician.

Listening – Ear Training, Appreciating & Loving Music

Lastly, but importantly, we are training musicians who make music – so of course we need to practice listening! This could include ear training, sound production, music appreciation and music history. Instilling a love of music is so important if we want our students to be lifelong musicians.

I encourage you to find ways to include all five of these areas into your lessons!

This or That? Tchaikovsky or Silvestri

At our house lately we’ve been immersed in the music of the Nutcracker! Last week my girls performed in their first ever Nutcracker ballet. I’ve had Tchaikovsky’s beautiful music running through my head over and over as I’ve helped them get ready and watched several performances. I have a newfound appreciation for this music and this incredible composer!

I decided that some of this iconic Christmas music from the beloved ballet should be a part of this month’s Mini Music History resources! And with Christmas break upon us, I thought I’d send these out a little early this month in case you need some fun Christmas music history activities 🙂

I noticed a really cool similarity between the Arabian Dance from Tchaikovsky’s Nutcracker, and “Seeing is Believing” from Alan Silvestri’s score to the film The Polar Express.

Take a listen!

With this month’s “This or That?” freebie, your students will listen to both pieces and decide which one they like the best! Along the way they can listen for similarities, read a little bit about each composer and learn some music history.

I have two other Mini Music History resources to help learn more about Tchaikovsky and Silvestri. Shop all Mini Music History resources here.

9 Reasons to Teach Music History

As piano teachers we have so many things we need to teach our students! Not only are we teaching them an entirely new language – how to understand it, how to read it, how to write it – but we are also teaching them how to play correctly, how to listen and create beautiful sounds, how to practice, how to memorize, how to perform, and much more! On top of all that, I believe we should be teaching music history to our piano students. I know, I know…there are only so many minutes in a lesson! It may be a challenge to fit it in, but I believe that it is worth it and it is important, for these 9 reasons:

1 – Music History Inspires Practice 

As students get to know new-to-them composers and pieces, they will find music that they absolutely love and want to learn! Teaching music history and listening/appreciation opens up new worlds of music to our students. As they discover pieces that they love, they will start to practice more because they are loving the music they are playing.

2 – Gives Musical Role Models

Learning about the lives of the composers can be super inspiring to young musicians. When students learn about a composer they can relate to on some level, they can see a little of themself in that composer and it can help them to feel that they can accomplish great things in music as well. For example, when I learned about the life of modernist composer Ruth Crawford Seeger I was so inspired by her life as a devoted mother, an inspiring piano teacher and as a person who was creative in so many aspects of her life. It made me want to be more like her!

3 – Gives Context to Pieces

Learning the back story of a piano piece you are learning makes that piece come alive in new ways. A great way to fit music history education into a piano lesson is to have students research the pieces they are playing and find out what was happening in the composer’s life when they wrote it. For example, in researching Florence Price’s beautiful piano piece “Clouds,” I learned that clouds are a symbol of freedom often used in African American art, literature and poetry. Price uses this symbol as the subject of her piece; she combines that with the element of traditional white classical music. This could be a reflection of her own life experiences, in which she experienced discrimination based on her race and sex. 

4 – Reveals Musical Preferences

A student is not going to have a favorite composer until they have listened and performed music by several different composers in different styles, genres and musical eras. It’s so important to listen!

5 – Understand and Appreciate Classical Music

It’s important for an aspiring pianists to be familiar with Bach preludes and fugues, Chopin preludes and mazurkas, and Beethoven sonatas. These works are an important legacy and part of being a pianist. Even if our students are not aspiring to be great classical pianists, these works are important in understanding the history and the possibilities of our wonderful instrument.

6 – Helps Fulfill Need for Relatedness

Scientists have found that in order to be self-motivated, a person needs three things: competence, autonomy and relatedness. As a piano student, relatedness has to do with how the things they are learning in lessons relate to other parts of their life. Not all students will come from homes where they hear classical music on a regular basis. As a student starts piano lessons, classical music may be a foreign thing to them. Finding ways to help students and parents be exposed to classical music can really help their success and motivation in the long-run as they get used to what classical piano music sounds like.

7 – Develops Ear and Listening Skills

Musicians create music, which is all about sound. In order to help our students create beautiful sounds at the piano, we need to help them develop and fine-tune their listening skills. What better way than to have them listen to music of different styles, moods, eras, and composers? Better yet, have them listen to several recordings of the same piece to hear different articulations and interpretations.

8 – Music Moves, Edifies, Enlightens

Why does anyone become a musician in the first place? Could it be because music has an inherent ability to inspire, to move you to feel emotions, to transport you and your thoughts and feelings to a different realm, to enlighten and edify? Think of a time when you heard a beautiful piece of music that was so gorgeous or surprising or amazing that you had to stop what you were doing to just listen. Or a time when you heard an amazing piece for the first time and had to put it on repeat and listen over and over again. We want these experiences for our students! We want them to discover beautiful music that their lives are incomplete without knowing. As they have wonderful experiences with music, they will be more likely to create beautiful experiences by sharing their music with others.

9 – Well-Rounded Musicians

A student who is well-versed in the important composers for our instrument, understanding what different eras and genres of piano music sound like and appreciating the beauty in each one, will be a more mature and well-rounded musician. Even if they don’t love every composer and every type of music, they will start to have an appreciation for them that will help them become more well-rounded in their musical abilities.

Looking for easy-to-implement music history resources? I’ve got you covered! Visit the Music History category in my shop for so many ideas and activities!

6 Reasons You Need a Teaching Philosophy

A teaching philosophy is a written-out statement of your purpose in teaching, your core beliefs and goals related to your teaching, and why you teach that way. Have you ever sat down and written out your teaching philosophy for your piano studio? It can be super helpful to sit down and do this every so often.

Here are 6 reasons YOU need a teaching philosophy:

  1. It helps you reach your target audience of piano students
  2. Lays out your overarching goals for your studio
  3. Helps guide all of your lesson planning
  4. Helps you be more intentional with each lesson and each student
  5. Provides a framework for how you run your piano teaching business
  6. It puts into words your “WHY” of teaching piano

I have done this several times throughout the years. Just as my studio policies and my curriculum change and evolve as I learn and grow and work to become a better teacher, my teaching philosophy evolves and becomes refined the more I teach.

Here is the most recent iteration of my teaching philosophy:

I believe that music can be a lifelong pursuit and a transformative force in one’s life. Whether my students choose to continue to advanced study or not, my commitment is to shape well-rounded pianists who possess the tools and knowledge to be competent musicians and enjoy playing the piano for life. I do this through prioritizing musical literacy and strong sight-reading skills, fostering creativity, promoting music appreciation, and instilling a sense of musical generosity. I aim to inspire my students to embrace music as an essential and beautiful part of their lives. With these foundational principles at their fingertips, my students will not only experience the joy of being able to open a piano book and play any piece they desire, but will also develop a profound ability to touch hearts and bless lives through their musical talents.

Do you have a teaching philosophy? I’d love to read it! Share it in the comments.


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Who else wants to be everyone’s favorite piano teacher?

When I was thirteen, I transferred to a new piano teacher who made a huge impact on my life. At our first meeting she told me emphatically, “I teach teachers.” And the way she said it, it sounded like being a piano teacher was the noblest and most important calling or career you could have.

Years later, I still think of her often and attribute so much of my career to her influence. I want to be like her! I want to be everyone’s favorite piano teacher like she was, so that I can make a difference in the lives of my own students like she did for me.

As I reflect on my experience as a piano student, I can’t help but wonder what made my teacher so inspiring and impactful. What qualities did she possess that motivated me to excel? This has led me to consider how we can become the kind of piano teachers that make a positive difference in the lives of all our students. How can we earn the title of “everyone’s favorite piano teacher?

What are the qualities of “everyone’s favorite piano teacher?” 

  • Makes students feel loved and supported.
  • Pushes students to become better with high expectations, motivating challenging pieces and warm encouragement.
  • Makes lessons fun with creativity, playful elements, and a kind and cheerful demeanor.
  • Helps students progress and feel competent and motivated.
  • Educates and supports parents about the value of music education and how to support the student at home.
  • Makes a real difference in the lives of their students!

Tell me about your favorite piano teacher! What qualities did they have that motivated you?


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Welcome to The Playful Piano!

For those of you who are new here, or even if you’ve been around awhile, I wanted to reintroduce myself! My name is Jenny Boster and I have been a piano teacher for over 25 years. I have learned a lot along the way and continue to learn from every lesson I teach. I started The Playful Piano several years ago to share my teaching resources and help encourage other piano teachers. 

A little more about me: I live in Farr West, Utah with my husband and five children (whose ages range from 5 to 15). Life is crazy busy, but wonderful. I teach all of my own kids piano (which can be quite the challenge, but also so rewarding!) and I have a small private piano studio. My youngest started kindergarten this year (!!) and I am working to grow my daytime piano studio with homeschoolers and adults. I love spending time with my family – playing board games, traveling when we can and just being together.

I love people but am an introvert, I always have a song running through my head, I love my church and love being involved there, I have an almost one-year-old aussiedoodle pup who keeps us on our toes, my family is obsessed with Survivor and I am currently loving the show Brooklyn Nine-Nine, and I am super good at Dr. Mario.

I received my Bachelor of Music degree in Piano Performance from Brigham Young University and I am a Nationally-Certified Teacher of Music. I love teaching, and I love writing and creating books and resources for music teachers and presenting at music teacher conferences.

Here at The Playful Piano, I want to help YOU become everyone’s favorite piano teacher! I believe that piano lessons should be fun, playful, engaging, and creative, and that you can do all that while also training musically-literate pianists with solid technique who can take their piano skills in whichever direction they choose – whether they continue to advanced study or become lifelong recreational musicians. I believe that piano lessons are so important and that we can have an incredible impact on the lives of our students!

What to look forward to: I love creating systems for my piano teaching to help me stay organized and be a better teacher. On my blog and in my email newsletter I’ll be sharing ideas and tips on lesson planning and my favorite methods and repertoire to motivate students. Look for lots of piano practice ideas and tricks and how I help my students become great sight readers. I’ll talk about goal setting and curriculum planning, but also about teaching the individual and being flexible with each student’s needs. I love teaching music history and will be sharing some super engaging resources to help your students learn to appreciate classical music. I am also passionate about advocacy for female composers and can’t wait to introduce you to incredible composers from throughout history that you’ve never heard of!


Let’s connect!

Join my email newsletter for tips and tricks, monthly freebies and more!

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Teaching Your Students about Amy Beach

I believe that we as teachers have the power to change the music history narrative in our studios and classrooms – we can raise this generation of musicians knowing that women can be composers!

There have been some phenomenal composers throughout music history who have composed beautiful music that is truly worthy of our study, and because these composers are women they have been largely forgotten in the traditional music history canon. To a young girl studying music, there is power in knowing that women can be composers and do great things, just like men. If you have ever had a student ask, “where are the women composers?” you are not alone, and I have so many resources that can help you introduce these composers to your students.

Amy Beach is a fantastic first female composer to introduce to your students. Did you know that she was the first American woman to compose a symphony? Your students will be in awe to discover that she started composing at age 4 – and she did it completely in her head, away from the piano! Little Amy heard music in colors – each key had a color that she associated with it. Amy wrote a lot of wonderful music for piano (as well as other instruments and voice), and maybe your students would enjoy learning some of her pieces! She wrote a really delightful waltz that is great to teach students before they are ready to tackle Chopin, her Eskimos pieces are really fun, and your more advanced students may enjoy playing her gorgeous piece Dreaming or her Hermit Thrush at Eve.

So how exactly can you introduce your students to Amy Beach? Here are some ideas:

  • Color through her life story with this adorable coloring page. This is fun for a group class, and you could even listen to some of her music while you color!
  • Collect composer cards to learn about Amy Beach. These fit perfectly in a trading card sleeve that can go in your student’s piano binder! The cards include her picture, her dates and country, some interesting facts about her life and a list of recommended pieces to listen to. Easy peasy!
  • Read about Amy Beach’s life with this easy-to-follow biographical sheet. Students can even use the accompanying worksheet to answer some questions and write down their thoughts as they listen to one of her pieces:
  • Read the story in this book about how Amy Beach composed her first pieces at age 4. Then you can play one of those pieces – her “Mamma’s Waltz” – prepare to be amazed!
  • Teach your students some music by Amy Beach! Much of it is available on IMSLP; there are also a few books you can purchase of her music. (My Amy Beach resource pack includes a list of recommended piano pieces to teach, in order of difficulty!)

I hope this gives you some ideas! You can find all of my Amy Beach resources in the Shop – there is so much more than I highlighted in this post.

Happy teaching!

Back to School Sale!

This week I am celebrating back to school with a great sale!

I have been madly prepping teaching material for my students for this fall, and I know that many of you are doing the same! I’d love to help you out!

I have a great technique curriculum, some fun and colorful piano tricks cards to help teach your students effective practice strategies, a unique and interactive music history coloring book series, lots of female composer resources and much more!

Now through September 1, save $5 on any purchase of $25 or more, and save $10 on any purchase of $50 or more! This is up to a 20% savings, and can be used on any of my piano teaching resources in the shop! Use the coupon codes below to get the savings:

(BACK2SCHOOL5 saves you $5 on any $25 purchase, and BACK2SCHOOL10 saves you $10 on any $50 purchase.)

Head on over to the shop! And don’t forget to use the coupon codes above at checkout. Happy back to school planning!

What I learned about Florence Price while recovering from foot surgery

Last week I had to get surgery on my foot. This has forced me to sit down (a lot) and has given me a chance to work on my next Shades of Sound listening and coloring book. Shades of Sound: Women Composers Volume 2 should be done soon and I can’t wait to get it out there and share it with you!

Did you know that Florence Price wrote her career-defining Symphony No. 1 in E minor while recovering from a broken foot? I just learned this fun fact this week while recovering from my own foot surgery. It made me feel a bit of a kinship with Florence, and I read up a bit more on her life at the time of writing her first symphony.

It was the middle of the Great Depression. Florence had recently left her abusive husband. She and her two young daughters were living with one of Price’s students – 18-year-old composer Margaret Bonds. Bonds sat at the kitchen table with Price for a month, helping her copy out the individual instrument parts for her symphony. Price apparently also wrote another symphony and two sonatas during this time. She wrote a letter to a friend and said, “Oh, dear me, when shall I ever be so fortunate again as to break a foot!”

She entered a music competition following this time, and her symphony and her piano sonata each won first prize in their categories, and another work won honorable mention. (The other first prize winner, coincidentally, was Margaret Bonds!)

Have you listened to Price’s first symphony? I think it is gorgeous and I have a whole new respect for it. I didn’t know until this week that it was inspired by Dvorák’s “New World” Symphony. Dvorák’s famous ninth symphony, which premiered in 1893, was composed while he was living in New York City, working as the director of the National Conservatory of Music. Dvorák was very interested in the African American spirituals and other music of the “New World,” and he infused the characteristics of these black plantation tunes into his symphony. It seems fitting, then, that an African American composer such as Florence Price would use his symphony as inspiration. 

I hope you will go listen to Florence Price’s Symphony No. 1! It is so beautiful, and it is so much easier to enjoy and appreciate it when you understand the world the composer was coming from. That is one reason that I feel so strongly that we need to teach our students music history. When we take some time to introduce them to composers and their works, we help their music understanding to increase, and we improve their motivation to practice.


Please be on the lookout for my new book! I have worked so hard on it and have really come to love and appreciate all of these great composers. In this book you and your students will learn about 31 female composers (the same who were highlighted in March for our Female Composers Challenge.) The book includes about 80 beautiful coloring pages that accompany so much wonderful music that you will get to listen to. If you participated in the challenge, please know that there is a lot more music included in this book than we listened to in March. It will really give you a good understanding of these composers and their musical style. And, it will be awesome to have all of that great information and stories about these composers in a book (either an actual physical book, or the studio-licensed version to share with your students).

Happy teaching!

These are two of the coloring pages included in my new book! The first is for Margaret Bonds’ piano piece “Troubled Water,” and the second is Zara Levina’s beautiful piano concerto.

Implementing Music History into Your Piano Lessons – the Easy Way!

“Building desirable attitudes toward music is the first aim of all music education.” – Mabelle Glenn, music educator

There are SO many reasons why we should teach our piano students to love and appreciate great music. They need to be LISTENING to piano music from all different eras, countries, styles and composers to help develop their ear, become well-rounded musicians, get inspired to practice, and so many more reasons. And learning the HISTORY behind the music is SO important to give them CONTEXT to what they are listening to. That is why it is so important to include music history/appreciation in our teaching!

There are so many great ways we can do this, and that is another post for another day – but I think that the important thing is to just get them LISTENING.

Have you tried out my Shades of Sound curriculum yet? This well-researched and engaging music history curriculum is so easy to implement. I have literally done ALL the work for you. You can use it with individual students by assigning them a page per week (which gets them listening at home and hopefully the whole family will get to listen to some great music – bonus!), you can use it during lessons if you have some sort of listening lab or partner lessons with time for listening or other work, or you can do it all together as a group during a group lesson or class.

The basic premise of the curriculum is that the students read a little bit about the composer, learn some background information about the piece, and then as they listen to the piece (using the accompanying playlist, accessed by QR code) they get to color a beautiful coloring page. This curriculum utilizes all four learning modes – reading/writing, visual, aural and kinesthetic. Try it out today! Shades of Sound: Summer is a great place to start during the summer break. Explore music by composers such as Vivaldi, Tchaikovsky, Mendelssohn, Debussy, Gershwin, Copland, Agathe Backer-Grøndahl, Elizabeth Maconchy, Judith Lang Zaimont and more!

Available for digital download in the shop, or paperback edition on Amazon.

Happy teaching!

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